Writings About June Wayne
1936
Crespo de la Serna, J. J. Exposición de Óleos y Dibujos June Claire y B. Rivas Cid. Exh. cat. Mexico City: Galería de Exposiciónes del Palacio de Bellas Artes, 1936.
1938
The Artists’ Union National Exhibition. Exh. cat. Springfield, Illinois: Springfield Museum of Fine Arts, 1938.
“Salon des Indépendants de Chicago.” La Revue Moderne 19 (15 October 1938): 13.
Thirteenth Annual Exhibition. Exh. cat. Chicago: Society of Artists, Inc., 1938.
1939
Art Exhibit by Chicago Artists. Exh. cat. Chicago: Exhibition Hall, Navy Pier, 1939.
Exhibition by Jewish Artists. Exh. cat. Chicago: Federal Art Project, WPA, College of Jewish Studies, 1939.
“Portrait Preview Up for Auction.” Chicago Evening American, 4 May 1939.
1940
Weisenborn, F. “What Our Galleries Are Showing.” Chicago Sunday Times, 21 January 1940.
1949
Seventh National Exhibition of Prints Made during the Current Year. Exh. cat. Washington, D.C.: Library of Congress, 1949.
Tupman, T. P. Arts Exhibition. Exh. cat. Pomona: California State Fair, 1949.
1950
Arts Exhibition. Exh. cat. Pomona: Los Angeles County Fair, 1950.
Bear, D. June Wayne—Paintings, Drawings, Space Constructions, Lithographs. Exh. cat. Santa Barbara: Santa Barbara Museum of Art, 1950.
Exhibition of Artists of Los Angeles and Vicinity. Exh. cat. Los Angeles: Los Angeles County Museum, 1950.
Frankenstein, A. “At the Galleries.” San Francisco Chronicle, 6 August 1950, 15.
Haas, I. “The Print Collector.” Artnews 49, no. 7 (November 1950): 54.
Langsner, J. “Art News from Los Angeles.” Artnews 49, no. 1 (March 1950): 51.
Langsner, J. “Creative Pursuit, June Wayne.” Arts & Architecture 67, no. 3 (March 1950): 30.
Seldis, H. J. “June Wayne Uses Three Media to Create Controversial Work Now on Exhibit Here.” Santa Barbara News-Press, 19 March 1950.
Tupman, T. P. Arts Exhibition. Exh. cat. Pomona: California State Fair, 1950.
1951
Arts & Architecture 68, no. 2 (February 1951): front cover.
Arts Exhibition. Exh. cat. Pomona: Los Angeles County Fair, 1951.
Fifty-seventh Annual Exhibition of Western Art. Exh. cat. Denver: Denver Art Museum, 1951.
Haas, I. “The Print Collector.” Artnews 49, no. 10 (February 1951): 12, 64.
Johnson, U. E. Fifth National Print Annual Exhibition. Exh. cat. Brooklyn: Brooklyn Museum, 1951.
Langsner, J. “Art News from Los Angeles.” Artnews 49, no. 1 (January 1951): 51.
Langsner, J. “Art News from Los Angeles.” Artnews 50, no. 6 (October 1951): 50.
Langsner, J. “Art News from Los Angeles.” Artnews 50, no. 8 (December 1951): 52.
Langsner, J. “The Bear of Santa Barbara.” Artnews 50, no. 5 (September 1951): 33.
Langsner, J. “This Summer in Los Angeles.” Artnews 50, no. 4 (Summer 1951): 38.
McCann Morley, G. L. Fifteenth Annual Drawing and Print Exhibition: San Francisco Art Association. Exh. cat. San Francisco: San Francisco Museum of Art, 1951.
McConnell, J. E. Art Exhibition. Exh. cat. Pomona: California State Fair, 1951.
McCoy, E. “Family Gallery in the Pines.” Los Angeles Times Home Magazine, 11 November 1951.
Northwest Printmakers: Twenty-third Annual Exhibition. Exh. cat. Seattle: Seattle Art Museum, 1951.
Thirteenth Artists West of the Mississippi: Prints and Drawings. Exh. cat. Colorado Springs: Colorado Springs Fine Arts Center, 1951.
Thirty-fifth Annual Exhibition. Exh. cat. New York: Society of American Etchers, Gravers, Lithographers and Woodcutters, Kennedy Galleries, 1951.
Weller, A. S. Contemporary American Painting. Exh. cat. Urbana: University of Illinois, 1951.
1952
Arms, J. T. Thirty-sixth Annual Exhibition. Exh. cat. New York: Society of American Graphic Artists, Kennedy Galleries, 1952.
Art Exhibition. Exh. cat. Pomona: California State Fair, 1952.
Ashton, D. “Prints.” Art Digest 26 (15 May 1952): 11.
The Contemporaries. Exh. checklist. New York: Contemporaries Gallery, 1952.
Fifth Annual National Exhibition of Graphic Arts and Arts and Crafts. Exh. cat. Pomona: Los Angeles County Fair, 1952.
The Fiftieth Annual International Exhibition: Water Colors, Prints, Drawings. Exh. cat. Philadelphia: Pennsylvania Academy of the Fine Arts, 1952.
Funke-Elbstadt, R. Internationale Graphik: Forty Artists under Forty. Exh. cat. Salzburg: Galerie Kunst der Gegenwart; Vienna: Secession Gallery, 1952.
Goodall, P. First National Exhibition of Prints: Printmakers of Southern California. Exh. cat. Los Angeles: University of Southern California, 1952.
Hale, R. B., and R. J. McKinney. American Water Colors, Drawings, and Prints. Exh. cat. New York: Metropolitan Museum of Art, 1952.
Johnson, U. E. “Brooklyn Exhibition of American Prints 1947–1956.” Brooklyn Museum Bulletin 14, no. 1 (1952): 19.
Langsner, J. “Art News from Los Angeles.” Artnews 51, no. 3 (May 1952): 49.
Langsner, J. “Art News from Los Angeles.” Artnews 51, no. 8 (December 1952): 41.
Langsner, J. “This Summer in Los Angeles.” Artnews 51, no. 4 (Summer 1952): 85.
Lee, J. “Space, Stories, and Symbols Keynote Wayne Exhibit Here.” Pasadena Star News,
7 December 1952.
Leeper, J. P. June Wayne (Paintings, Lithographs, Drawings). Exh cat. Pasadena: Pasadena
Art Institute; Santa Barbara: Santa Barbara Museum of Art, 1952.
Lithographs by June Wayne / Etchings by Ynez Johnston. Exh. checklist. Chicago: Department of Prints and Drawings, Art Institute of Chicago, 1952.
Millier, A. “Coast to Coast.” Art Digest 27 (15 December 1952): 14.
Moderne Kunst aus USA: Auswahl aus den Sammlungen des Museum of Modern Art, New York. Exh. cat. Frankfurt am Main: Städelschen Kunstinstitut, 1952.
Riley, M. K. “Art / A Dreamer’s Intuitive View.” Fortnight, 22 December 1952, 28.
Stein Duyemling, H. “Print Maker’s Work Shown at Chicago.” Fort Wayne News and Sentinel, 19 April 1952.
Third Annual Print Exhibition. Exh. cat. Peoria, Illinois: Bradley University, 1952.
Twentieth Annual Exhibition: Water Colors, Pastels, Drawings and Prints. Exh. cat. Oakland:
Oakland Art Gallery, 1952.
“Wayne Display Attracts at Pasadena Institute.” Los Angeles Times, 7 December 1952, part 4.
1953
Arts & Architecture 70, no. 2 (February 1953): front cover.
Berryman, F. S. “News of Artists and Exhibitions.” Washington, D.C. Sunday Star, 6 December 1953, E7.
Eighteenth Exhibition of Washington Printmakers. Exh. cat. Washington, D.C.: American Institute of Architects, 1953.
“Exhibition, Contemporaries Gallery.” Art Digest 27 (15 March 1953): 21.
First Annual Dallas National Print Exhibition. Exh. cat. Dallas: Dallas Print Society, Museum of Fine Arts, 1953.
“June Wayne Explains Mysteries of Modern Art.” Los Angeles Canyon Crier, 14 May 1953.
“June Wayne Show Opens at Museum.” Santa Barbara News-Press, 21 January 1953.
Langsner, J. “Art News from Los Angeles.” Artnews 52, no. 2 (April 1953): 41.
Langsner, J. “This Summer in Los Angeles.” Artnews 52, no. 4 (Summer 1953): 52.
Lithographs by June Wayne. Exh. cat. New York: Contemporaries Gallery, 1953.
Myrup, T. “Artist Says Art Changeable; Critic to Give Final Talk.” UCLA Daily Bruin, 28 July 1953.
Second National Exhibition of Prints: Printmakers of Southern California. Exh. cat. Los Angeles: University of Southern California, 1953.
Thirty-seventh Annual Exhibition. Exh. cat. New York: Society of American Graphic Artists, Kennedy Galleries, 1953.
Twenty-first Fall Annual Exhibition of Watercolors, Pastels, Drawings and Prints. Exh. cat. Oakland: Oakland Art Museum, 1953.
Young American Printmakers. Exh. cat. New York: Junior Council of the Museum of Modern Art, 1953.
1954
American Association of University Women: Art Exhibit. Exh. cat. Santa Monica: Santa Monica City College, 1954.
Artnews 52, no. 2 (February 1954): 50.
Clapp, F. L. “Unusual Exhibit Being Offered. Exhibition of Oils, Drawings and Lithographs at the Art Center at La Jolla.” La Jolla (California) Light, 18 February 1954.
Eighth National Print Annual Exhibition. Exh. cat. Brooklyn: Brooklyn Museum, 1954.
“Exhibit at Santa Barbara.” Art Digest 29 (15 February 1954): 29.
Fifth Annual Exhibition of Prints. Exh. cat. Peoria, Illinois: Bradley University, 1954.
“Graphic Arts.” Bulletin of the Art Division of the Los Angeles County Museum 6, no. 3 (June–July–August 1954): 25.
Langsner, J. “Art News from Los Angeles.” Artnews 52, no. 10 (February 1954): 50.
Langsner, J. “Art News from Los Angeles.” Artnews 53, no. 7 (November 1954): 55.
Millier, Arthur. Prints by California Artists. Los Angeles: Crest, 1954.
Paintings and Lithographs by June Wayne. Exh. cat. La Jolla, California: Art Center of La Jolla, 1954.
Sixtieth Annual Exhibition of Western Art. Exh. cat. Denver: Denver Art Museum, 1954.
Under One Hundred. Exh. checklist. San Antonio: McNay Art Institute, 1954.
Ward, L. Thirty-eighth Annual Exhibition. Exh. cat. New York: Society of American Graphic Artists, Kennedy Galleries, 1954.
Weller, A. S. Graphic Arts—USA. Exh. cat. Urbana: University of Illinois, 1954.
1955
Devree, H. “Three Shows Emphasize Progress and Vitality.” New York Times, 1 May 1955, X9.
Duggins, G. Art Exhibition. Exh. cat. Pomona: California State Fair, 1955.
Jones, N. C. National Association of Women Artists: Sixty-third Annual Exhibition. Exh. cat. New York: National Academy Galleries, 1955.
Langsner, J. “Summer Events: Los Angeles.” Artnews 54, no. 4 (Summer 1955): 57.
Macdonald Wright, S. “Art News from Los Angeles.” Artnews 54, no. 6 (October 1955): 52.
McCann Morley, G. L., and M. C. Ross. III Bienal. Exh. cat. São Paulo: Museu de Arte Moderna de São Paulo, 1955.
Mills, P. Second Annual Western Sculpture and National Print Exhibition. Exh. cat. Oakland: Oakland Art Museum, 1955.
Nineteenth Annual Drawing and Print Exhibition of the San Francisco Art Association. Exh. cat. San Francisco: San Francisco Museum of Art, 1955.
Northwest Printmakers: Twenty-seventh International Exhibition. Exh. cat. Seattle: Seattle Art Museum, 1955.
Sixth Annual Exhibition of Prints. Exh. cat. Peoria, Illinois: Bradley University, 1955.
Ward, L. Thirty-ninth Annual Exhibition. Exh. cat. New York: Society of American Graphic Artists, Kennedy Galleries, 1955.
Wise, V. First Graphics Exhibition. Exh. cat. El Paso: Texas Western College, 1955.
1956
Art in Architecture. Exh. cat. Los Angeles: American Institute of Architects, Southern California Gas Company, 1955.
“Art Pleasure.” San Leandro (California) Morning News, 6 August 1956.
Centennial Exhibition. Exh. cat. San Jose: San Jose State University Art Gallery, 1956.
Cross, M. D. “Culture Festival Date Near.” Oakland Tribune, 8 April 1956.
“Dessinateurs Americains.” Informations et Documents 55 (15 October 1956): 34.
“Drawings, Lithographs and Oils on Exhibition through September 14.” Vallejo (California) Times-Herald, 19 August 1956.
Duggins, G. Art Exhibition. Exh. cat. Pomona: California State Fair, 1956.
Frankenstein, A. “Meaningful Symbols in June Wayne’s Art.” San Francisco Chronicle,
17 August 1956, 19.
Garth, J. “June Wayne.” San Francisco Argonaut, 24 August 1956, 20.
Grafty, D. “Lithographs in Philadelphia.” Christian Science Monitor, 21 January 1956, 4.
Heintzelman, A. Dessins Americains Contemporains. Exh. cat. Strasbourg: Cabinet des
Estampes, Chateau des Rohan, 1956.
Johnson, U. E. Ten Years of American Prints 1947–1956. Exh. cat. Brooklyn: Brooklyn Museum, 1956.
Langsner, J. “June Wayne: Imagist.” Arts & Architecture 73, no. 8 (August 1956): 12–13.
Langsner, J. Paintings, Drawings, Prints by June Wayne. Exh. checklist and note. San Francisco: M. H. de Young Memorial Museum, 1956.
McCann Morley, G. L. Pacific Coast Art: United States Representation at the Third Biennial of São Paulo. Exh. cat. San Francisco: San Francisco Museum of Art, 1956.
Moschzisker, B. von. Curator’s Choice. Exh. cat. Philadelphia: Print Club of Philadelphia, 1956.
Mumford, L. Q. Fourteenth National Exhibition of Prints Made during the Current Year. Exh. cat. Washington, D.C.: Library of Congress, 1956.
“Notiziario d’arte.” Domus 314 (January 1956): 61.
Phillips, W. D. “Gallery Preview.” Beverly Hills Citizen, 29 October 1956.
Rothenstein, J. et al. Modern Art in the United States, Paintings, Sculptures and Prints: A Selection from the Collections of the Museum of Modern Art. Exh. cat. London: Tate Gallery, 1956.
Twentieth Annual Exhibition. Exh. checklist. Washington, D.C.: Society of Washington Printmakers, 1956.
Twenty-eighth Annual Exhibition of Lithography. Exh. cat. Philadelphia: Print Club of Philadelphia, 1956.
Twenty-fifth Annual American Graphic Arts and Drawing Exhibition. Exh. cat. Wichita: Wichita Art Association, 1956.
Ward, L. Fortieth Annual Exhibition. Exh. cat. New York: Society of American Graphic Artists, Architectural League, 1956.
1957
Bartlett, F. Artists West of the Mississippi. Exh. cat. Colorado Springs: Colorado Springs Fine Arts Center, 1957.
An Exhibition of Master Prints. Exh. cat. Los Angeles: Grunwald Graphic Arts Foundation, University of California at Los Angeles, 1957.
Forty-first Annual Exhibition. Exh. checklist. New York: Society of American Graphic Artists, 1957.
Morley, G. California Painting. Exh. cat. Long Beach: Municipal Art Center, 1957.
Twenty-first Annual Exhibition. Exh. checklist. Washington, D.C.: Society of Washington Printmakers, United States National Museum, 1957
Twenty-ninth Annual Exhibition of Lithography. Exh. checklist. Philadelphia: Print Club of Philadelphia, 1957.
1958
American Color Print Society: Nineteenth Traveling Exhibition. Exh. checklist. Philadelphia: Print Club of Philadelphia, 1958.
Ames, R. “June Wayne Drawings, Prints Show Mastery.” Santa Barbara News-Press,
21 September 1958.
Berryman, Florence. “Big Printmakers Show Technically Excellent.” Washington, D.C. Sunday Star, 2 February 1958, E7.
Cross, M. D. ‘‘Penetrating Drawings, Prints of June Wayne in S. F. Display.” Oakland Tribune, 24 August 1958.
Elliott, J. H. Annual Exhibition: Artists of Los Angeles and Vicinity. Exh. cat. Los Angeles: Los Angeles County Museum, 1958.
The Fantastic, the Occult and the Bizarre in Prints. Exh. cat. Washington, D.C.: National Gallery of Art, 1958.
Groschwitz, G. von. Fifth International Biennial of Contemporary Color Lithography. Exh. cat. Cincinnati: Cincinnati Art Museum, 1958.
Heller, J. Printmaking Today. New York: Henry Holt, 1958: 46–47.
Johnson, U. E. Eleventh National Print Exhibition. Exh. cat. Brooklyn: Brooklyn Museum, 1958.
Mille Gravures en Couleurs. Exh. cat. London: Redfern Gallery, 1958.
Portner, L. J. “The National Gallery.” Washington Post and Times-Herald, 30 March 1958, E7.
Print Festival. Exh. cat. Pasadena: Pasadena Art Museum, 1958.
Sixteenth National Exhibition of Prints Made during the Current Year. Exh. cat. Washington, D.C.: Library of Congress, 1958.
Thirtieth Annual Exhibition of Lithography. Exh. checklist. Philadelphia: Print Club of Philadelphia, 1958.
Troche, E. G. June Wayne: Drawings, Etchings, Lithographs, Monotypes, Including Thirty Works on the Poems of John Donne. Exh. cat. San Francisco: Achenbach Foundation for the Graphic Arts, 1958.
Twenty-second Exhibition. Exh. cat. Washington, D.C.: Society of Washington Printmakers, United States National Museum, 1958.
Walker, D. “Painting That Translates Poetry.” San Francisco News, 9 August 1958, 12T.
1959
“Art.” Newsweek 54, no. 15 (12 October 1959): 115.
“Art.” Newsweek 54, no. 18 (2 November 1959): 9.
“Donne’s Works for Museums.” Gloucester (Massachusetts) Citizen, 18 February 1959.
Donson, J. A. Arts of Southern California V: Prints. Exh. cat. Long Beach: Long Beach Museum
of Art, 1959.
Etchings, Lithographs and Drawings. Exh. cat. Philadelphia: Philadelphia Art Alliance, 1959.
Feinblatt, E. Prints and Drawings by June Wayne. Exh. cat. Los Angeles: Los Angeles County Museum, 1959.
Forty-second Annual Exhibition. Exh. cat. New York: Society of American Graphic Artists, Riverside Museum, 1959.
J. A. C. “La Jeune Gravure Contemporaine au Musee d’Art Moderne.” Combat, 14 April 1959.
La Jeune Gravure Contemporaine. Exh. cat. Paris: Musée national d’art moderne, 1959.
“June Wayne to Exhibit Etchings, Drawings.” Philadelphia Art Alliance Bulletin 38, no. 2 (November 1959): 12.
Langsner, J. “Art News from Los Angeles.” Artnews 58, no. 2 (April 1959): 48.
Langsner, J. “The Way I See It.” Beverly Hills Times, 26 March 1959.
Langsner, J. “The Way I See It.” Beverly Hills Times, 30 April 1959.
Leonard Edmondson, Inez Johnston, June Wayne. Exh. checklist. Pittsburgh: Carnegie College of Fine Art, 1959.
“Lithograph Exhibit Widely Acclaimed.” Los Angeles Times, 17 May 1959.
Malone, L. Sixty-fifth Annual for Western Artists. Exh. cat. Denver: Denver Art Museum, 1959.
Marion Koogler McNay Institute. Exh. checklist. San Antonio: McNay Art Institute, 1959.
Mills, P., M. Ponce de Leon, and J. Heller. Bay Printmakers’ Society Fifth National Exhibition. Exh. cat. Oakland: Oakland Art Museum, 1959.
The One Hundred and Fifty-fourth Annual Exhibition: Water Colors, Prints, Drawings. Exh. cat. Philadelphia: Pennsylvania Academy of the Fine Arts, 1959.
“Phillips Gallery Exhibiting Ferren & Debre.” Washington Post and Times-Herald, 1 February 1959, E7.
Rosenwald, L. J. American Prints Today / 1959. Exh. cat. New York: Print Council of
America, 1959.
Seventeenth National Exhibition of Prints Made during the Current Year. Exh. cat. Washington, D.C.: Library of Congress, 1959.
Seventh Annual Los Angeles All-City Art Festival. Exh. cat. Los Angeles: Los Angeles Municipal Art Department, 1959.
Williams, V. “Print Exhibit Opens Today.” Long Beach Press-Telegram, 12 July 1959.
“Words & Pictures: The New Art Portfolios.” Time, 11 May 1959, 80.
1960
Adams, P. R., and G. von Groschwitz. The 1960 International Biennial of Prints. Exh. cat. Cincinnati: Cincinnati Art Museum, 1960.
Callan, M. A. “L.A. Woman Seeks to Renew Artist-Artisan Collaboration.” Los Angeles Times, 24 July 1960, I1.
Donson, J. A. Arts of Southern California VIII: Drawing. Exh. cat. Long Beach: Long Beach Museum of Art, 1960.
Downey Museum of Art. Exh. checklist. Downey, California: Downey Museum of Art, 1960.
“Ford Foundation Reviews Old Art Form (Not the Model T).” Beverly Hills Canyon Crier, 21 July 1960.
Forty-fifth Annual Exhibition, California Society of Etchers. Exh. cat. San Francisco: California Palace of the Legion of Honor, 1960.
Forty-third Annual Print Exhibition. Exh. cat. New York: Society of American Graphic Artists, IBM Galleries, 1960.
Fourth Annual Print Exhibit. Exh. cat. Clinton, New Jersey: Hunterdon County Art Center, 1960.
French, R. H. Second Annual Contemporary American Printmakers. Exh. cat. Greencastle, Indiana: DePauw University Art Center, 1960.
Informations et Documents 55 (15 October 1960): 35.
Leavitt, T. W. Second National Print Exhibition. Exh. cat. Pasadena: Pasadena Art Museum, 1960.
Mills, P., and L. Bunce. Bay Printmakers’ Society Sixth National Exhibition. Exh. cat. Oakland: Oakland Art Museum, 1960.
Nordland, G. “Art: In Los Angeles.” Los Angeles Frontier 11, no. 9 (July 1960): 21.
Rodman, Selden. The Insiders: Rejection and Rediscovery of Man in the Arts of Our Time. Baton Rouge: Louisiana State University Press, 1960: 109–12.
Rosenwald, L. J. La Gravure Américaine d’Aujourd’hui. Exh. cat. Paris: Print Council of America and L’Association Française d’Action Artistique, 1960.
Second Annual Print Fair. Exh. cat. Philadelphia: Free Library of Philadelphia, 1960.
Seldis, H. J. “Lithography Workshop Gets $165,000 Grant.” Los Angeles Times, 20 July 1960, part 3, 2.
Society of American Graphic Artists: Contemporary Graphic Art. Exh. cat. New York: Society of American Graphic Artists, 1960.
Thirty-second Annual of Lithography. Exh. checklist. Philadelphia: Print Club of Philadelphia, 1960.
Three Artists. Exh. checklist. Philadelphia: Print Club of Philadelphia, 1960.
Twelfth National Print Exhibition. Exh. cat. Brooklyn: Brooklyn Museum, 1960.
Twenty-first Annual Color Print Exhibition. Exh. checklist. Philadelphia: American Color Print Society, 1960.
Twenty-third Exhibition. Exh. cat. Washington, D.C.: Society of Washington Printmakers, United States National Museum, 1960.
Weston, H. 75 Grabadores Norteamericanos. Exh. cat. Caracas: Museo de Bellas Artes de Caracas, 1960.
1961
Callen, M. A. “Artist Envisions ‘New Rome’—West’s Culture Grows Up.” Los Angeles Times, 27 December 1961, part 2, 1.
Culler, G. D. Twenty-fifth Annual Drawing, Print and Sculpture Exhibition of the San Francisco Art Institute. Exh. cat. San Francisco: San Francisco Museum of Art, 1961.
Culler, G. D. Twenty-fourth Annual Drawing, Print and Sculpture Exhibition of the San Francisco Art Association. Exh. cat. San Francisco: San Francisco Museum of Art, 1961.
Grabados Originales Exhibición: Pennell Collection of the Library of Congress. Exh. cat. San Salvador, 1961.
Hofer, P., and E. Garvey. The Artist and the Book: 1860–1960. Exh. cat. Boston: Museum of Fine Arts, Boston; Cambridge, Massachusetts: Harvard College, 1961.
Kitaoka, F. Twenty-ninth Exhibition of the Japan Print Association and the American Color Print Society. Exh. cat. Tokyo: Japan Print Association, 1961.
Langsner, J. “The Way I See It.” Beverly Hills Times, 22 June 1961, 8.
Peterdi, G. An Exhibition of Prints by Invitation. Exh. cat. Memphis: Brooks Memorial Art Gallery, 1961.
1962
American Prints 1775–1962. Exh. checklist. New York: Terry Dintenfass Gallery, 1962
“Artist-Writer June Wayne Speaks at Park Art Gallery.” San Diego Naval Recreation Bulletin, 5 February 1962.
Award Winners 1953–1962. Exh. cat. Los Angeles: Otis Art Institute, 1962.
Fagan, B. “Tamarind Exhibition Result of Ford-financed Project.” (Portland) Oregonian, 30 April 1962, sec. 2, 5.
First National Annual Print Invitational Exhibition. Exh. cat. Los Angeles: Otis Art Institute, 1962.
Groschwitz, G. von. International Prints 1962. Exh. cat. Cincinnati: Cincinnati Art Museum, 1962.
Invitation Exhibition of Lithography and Intaglio Prints. Exh. checklist. Philadelphia: Print Club of Philadelphia, 1962.
Langsner, J. “Is There an American Print Revival? Tamarind Workshop.” Artnews 60, no. 9 (January 1962): 34–35.
Langsner, J. “Los Angeles Letter.” Art International 6, no. 2 (March 1962): 45.
Langsner, J. “Painting and Sculpture.” Craft Horizons 22 (July–August 1962): 41.
“Lithography Exhibit Due.” Los Angeles Independent, 4 January 1962.
New Acquisitions. Washington, D.C.: Library of Congress, 1962.
“New Talent Brushes into Spotlight.” Washington Post, 7 January 1962, G5.
Northwest Printmakers Thirty-third International Exhibition. Exh. cat. Seattle: Seattle Art Museum; Portland: Portland Art Museum, 1962.
Phillips, P. “Lithography Revival Hails the Beauty of the Stone.” Hollywood Citizen News, 6 January 1962.
Porter, B. “Problems Grew an Idea.” Dallas Times Herald, 17 June 1962.
Porter, B. “Tamarind’s Wayne to Lecture.” Dallas Times Herald, 22 June 1962.
Rosenbaum, B. G. “The Collector’s Corner: Festival of Religious Art—Part II, The Paintings.” Goshen (New York) Independent Republican, 18 January 1962, 4.
Ross, J. Forty-fourth Annual Print Exhibition. Exh. cat. New York: Society of American Graphic Artists, Associated American Artists, 1962.
Seldis, H. J. “Lithography Revival? Show Proves It’s Real.” Los Angeles Times, Calendar, 7 January 1962, 2.
Seldis, H. J. “Popularity vs. Quality Seen Major Art Failing.” Los Angeles Times, 11 January 1962, part 4, 8.
Strickler, C. “A Dream—It Comes True Today at UCLA Art Galleries.” Los Angeles Examiner, 7 January 1962.
“Tamarind.” Artforum 1, no. 3 (August 1962): 28–31.
Third Annual Print Fair 1962. Exh. cat. New York: Burr Galleries; Philadelphia: Free Library of Philadelphia, 1962.
Troche, E. G. Eight Centuries of Law Documents, Books, Prints and Artifacts: Eighty-fifth Annual Meeting American Bar Association. Exh. cat. San Francisco: Bar Association of San Francisco, 1962.
Twenty-third Annual Color Print Exhibition: American Color Print Society. Exh. checklist. Philadelphia: Print Club of Philadelphia, 1962.
Wight, F. S. “The Art of the Lithograph.” Arts & Architecture 79, no. 1 (January 1962): 22–23, 30–31.
Wight, F. S. Lithographs from the Tamarind Workshop. Exh. cat. Los Angeles: University of California at Los Angeles Art Galleries, 1962.
1963
“City Praised for Upsurge in Art.” Santa Barbara News-Press, 9 April 1963.
Getlein, F. “D.C. Printmakers at Watkins Gallery.” Washington, D.C. Sunday Star, 10 March 1963, B12.
Gray, C. “Tamarind Workshop.” Art in America 51, no. 5 (October 1963): 99–100.
“Herron Pilots Pioneer Course in Lithograph.” Indianapolis Star, 24 March 1963.
Long, W. Second National Invitational Print Exhibition. Exh. cat. Los Angeles: Otis Art Institute, 1963.
Miller, M. “The Return of Printmaking.” Los Angeles, December 1963.
Millier, A. “History of Printing.” Los Angeles Herald-News, 8 September 1963.
“Rembrandt Club Sets Meeting.” Los Angeles Times, 13 January 1963, E2.
Ross, J. 100 Prints of the Year 1962: Society of American Graphic Artists. Exh. cat. New York: Associated American Artists, 1963.
Society of Washington Printmakers Members’ Show. Exh. cat. Washington, D.C.: American University, 1963.
1964
Adams, C. Art Since 1889. Exh. cat. Albuquerque: University of New Mexico Art Museum, 1964.
Adams, C. “Lithography and Tamarind.” Art Education 17, no. 4 (April 1964): 16–17.
Adams, C. Selections from the L. M. Asher Family Collection. Exh. cat. Albuquerque: University of New Mexico Art Museum, 1964.
Donohue, V. “Print Club.” Philadelphia Inquirer Public Ledger, 8 March 1964.
Four Women Artists: Elise Cavanna, Claire Falkenstein, Dextra Frankel, June Wayne. Exh. cat.
Fullerton: Art Gallery, California State College at Fullerton, 1964.
Grafly, D. “Museum Exhibits Prints Produced at Tamarind.” Philadelphia Sunday Bulletin, 1 March 1964, sec. 2, 3.
Howell, B. “June Wayne Explores Lithography.” Los Angeles Evening Outlook, November 1964, 17.
Johnson, U. E. Fourteenth National Print Exhibition. Exh. cat. Brooklyn: Brooklyn Museum, 1964.
Leavitt, T. W. Donald Bear Memorial Collection. Exh. cat. Santa Barbara: Santa Barbara Museum of Art, 1964.
Litchfield, D. H. The Fabulous Decade: A Collection of Prints of the Nineteen-Fifties. Exh. cat. Philadelphia: Free Library of Philadelphia, 1964.
“Lithography at Tamarind: Because Water Hates Grease.” Time, 10 April 1964, 82–84.
Mason, G. C., and E. S. Peck. New Dimensions in Lithography. Exh. cat. Los Angeles: University of Southern California, 1964.
Northwest Printmakers Thirty-fifth International Exhibition. Exh. cat. Seattle: Seattle Art Museum; Portland: Portland Art Museum, 1964.
Original Prints 1964: California Society of Etchers Fiftieth Anniversary Exhibition. Exh. cat. San Francisco: California Palace of the Legion of Honor, 1964.
Seidenbaum, A. “Lots of Print in This Contract.” Los Angeles Times, 28 October 1964, part 5, 1.
Seldis, H. J. “Tamarind’s Fellows Real Pros.” Los Angeles Times, Calender, 8 November 1964, 10.
“Tamarind . . . The House of Stone.” Western Printer & Lithographer 32, no. 8 (October 1964): 38–39, 65.
Twenty-fifth National Exhibition. Exh. cat. Washington, D.C.: Society of Washington Printmakers, United States National Museum, Smithsonian Institution, 1964.
“Workshop Group Show.” Hollywood Citizen News, 31 October 1964.
1965
Baker, N. “Tamarind Lithographs.” San Diego Evening Tribune, 23 April 1965.
Black and White Exhibition. Exh. cat. Philadelphia: Print Club of Philadelphia, 1965.
Cortella, G. Arts of Southern California XVI: Prints. Exh. cat. Long Beach: Long Beach Museum of Art, 1965.
Dusheck, G. “Her Art Sells, But Not in S. F.” San Francisco Call Bulletin, 5 January 1965.
Hess, J. L. “An American Artist in Search of Paper.” New York Times, international edition, 16 April 1965.
“June Wayne Conducts Workshop to Retain Art of Lithography.” Springfield (Massachusetts) Union, 11 January 1965, 11.
“June Wayne, Lithograph Revival Initiator, Sparking HSC Show with Talk Tomorrow.” Humboldt (California) Times, Woman’s Page, 9 May 1965.
“Life Pumped into Dying Art Form.” Royal Oak (Michigan) Daily Tribune, 6 January 1965.
“Lithograph Expert Slates Davis Talk.” Sacramento Bee, 16 November 1965, A23.
“Lithographs on Exhibit.” Los Angeles Times Home Magazine, 2 May 1965, 44.
Millier, A. “Lithography Reborn in World of Art.” Los Angeles Herald-News, January 1965.
Neville, J. “Tamarind Print Show to Open.” Dallas Morning News, 13 June 1965, 3D.
“New Dimensions in Lithography.” Artforum 3, no. 4 (January 1965): 44.
Pockriss, J. “Lithographs: Revival of an Old Fine Art.” McCalls 92, no. 8 (May 1965).
Sammis, C. S. “Drawing on Stone.” Christian Science Monitor, 2 June 1965, 12.
Seidenbaum, A. “The Dead Mouse That Roared on Tamarind Avenue.” Los Angeles Times, Calendar, 14 March 1965, 3.
Sweeney, J. “June Wayne Helps to Put New Life into Lithography.” Schenectady (New York) Union-Star, 3 June 1965, 18.
Sweeney, J. “Woman Artist Rejuvenating Lithography.” Taunton (Massachusetts) Daily Gazette, 20 February 1965.
Sweeney, J. “Woman Renews Interest in an Old Art Form.” Oregon City Enterprise-Courier,
Spotlight, 26 May 1965, 4.
“Tamarind Print Prizes.” American Artist 29, no. 1 (January 1965): 8.
Willard, C. “In the Art Galleries.” New York Post, 12 September 1965, 46.
“Woman Artist Revives Lithography.” Worcester (Massachusetts) Telegram, 21 January 1965.
“Woman’s Day to be Observed at USC.” Los Angeles Times, 7 February 1965, E2.
1966
The Arts in California. Los Angeles: California Arts Commission, 1966: 69–70.
Bergman, H. “A Worried Lady Artist Says Politicians Peril Culture.” San Francisco
Examiner, 21 May 1966.
Bry, M. E. “Art.” Sausalito (California) FM & the Arts 5, no. 7 (July 1966): 9.
Conover, A. “Business Training Said Artistic Must.” Hollywood Citizen News, May 1966.
Drabkin, S. Fiftieth Anniversary: Return Engagement. Exh. cat. Philadelphia: Philadelphia Art Alliance, 1966.
Dusheck, G. “An Editor’s Dim View of Culture Fad.” San Francisco Sunday Examiner Chronicle, 22 May 1966.
“Esquire Magazine Editor Urges Business to Increase Aid to Arts.” Riverside (California) Enterprise, 23 May 1966.
Graf, R. California Printmakers. San Francisco: Printmaking Center of the San Francisco Art Institute, 1966.
Johnson, B. E. “At the Priory-A Festival of ART.” Los Angeles Times Home Magazine, 18 September 1966, 44.
“Judging Entries.” Kansas City Times, 6 April 1966.
“Kingsley Slates Talk on Print Collecting.” Sacramento Union, 11 November 1966.
Mumford, L. Q. Twentieth National Exhibition of Prints. Exh. cat. Washington, D.C.: Library of Congress, 1966.
Murphy, F. D., and E. M. Bloch. The Fred Grunwald Collection: A Memorial Exhibition. Exh. cat. Los Angeles: Grunwald Graphic Arts Foundation, University of California at Los Angeles, 1966.
Schlundt, V. “June Wayne and the Renaissance of Lithography.” Designers West 13 (November 1966): 19.
Shapp, N. “Can We Close the Culture Gap?” Oakland Tribune, World of Women, 25 May 1966.
Skelton, N. “Artist-Lecturer Tells What Prints Are Fit.” Sacramento Bee, 17 November 1966, B8.
Twenty-sixth Annual Color Print Exhibition. Exh. checklist. Philadelphia: American Color Print Society, Print Club of Philadelphia, 1966.
“Wanted: Managers for Our Burgeoning Culture Boom.” Los Angeles Herald-Examiner, 17 July 1966.
1967
Getlein, G. “Art: A Workshop That Saved Lithography from Extinction.” Washington, D.C. Sunday Star, 29 January 1967, D3.
Grafton, S. “Tamarind: Where Artist and Craftsman Meet.” Lithopinion 2, no. 1 (first quarter 1967): 18–25.
The Initial Showing of the Founding Collection of the California State Colleges. Exh. cat. Long Beach: California State College at Long Beach, 1967.
Potsdam Prints: National Print Exhibition 1967. Exh. cat. Potsdam: State University of New York at Potsdam, 1967.
Seidenbaum, A. “Labor Gets Off the Picket Fence.” Los Angeles Times, 10 August 1967, part 5, 1.
Seidenbaum, A. “Lithography Art Leaves Its Print.” Los Angeles Times, 14 December 1967, part 4, 6.
1968
Adams, E. “Chit and Chat . . . About This ’n’ That.” Cincinnati Enquirer, 18 February 1968, 8H.
Baskett, M. W. American Graphic Workshops: 1968. Exh. cat. Cincinnati: Cincinnati Art Museum, 1968.
Buckingham, L. “The Arts Carousel.” Albuquerque Times-Journal News, 1 February 1968.
Frankenstein, A. “Tamarind Lithograph Exhibit at S. F. Museum.” San Francisco Chronicle, 26 December 1968, 41.
Fried, A. “Giving Prints a Bigger Place in Art World.” San Francisco Examiner, 21 December 1968.
Lewis, L. M. June Wayne. Exh. cat. Albuquerque: University of New Mexico Art Museum, 1968.
Mostra Biennale Internazionale della Grafica. Exh. cat. Florence: Unione Fiorentina, Palazzo Strozzi, 1968.
Society of Washington Printmakers: Members’ Show 1967–1968. Exh. cat. Washington, D.C.: George Washington University, 1968.
Wilks, F. “Lithography Termed Union of Both Artist, Artisan.” Albuquerque Journal, 31 March 1968.
1969
Allen, V. “The Tamarind Lithography Workshop.” Members Newsletter, The Museum of Modern Art, May–June 1969, 6–8.
Baskett, M. W. The Art of June Wayne. New York: Abrams; Berlin: Gebruder Mann, 1969.
Baskett, M. W. Selections from Twenty Years of Lithographs by June Wayne. Exh. cat. New York: Far Gallery, 1969.
Breindel, M. “The Curatorial Training Programme at Tamarind.” Art and Australia 7, no. 1 (June 1969): 73–76.
Browne, R. “Reviews and Previews.” Artnews 68, no. 1 (March 1969): 71.
“Ex-Endicott Resident Writes an Art Book.” Binghamton (New York) Evening Press, 20 April 1969, 48.
Findsen, O. “Art Book by Cincinnatian.” Cincinnati Enquirer, 4 May 1969, 10J.
First San Diego National Invitational Print Show. Exh. cat. San Diego: Contemporary Arts Committee, Fine Arts Gallery, San Diego, 1969.
Genauer, E. “Art and the Artist.” New York Post, 3 May 1969, 46.
Genauer, E. “Lithography Lives in Hard-Edge Era.” Newsday, 3 May 1969, 25W–26W.
Glueck, G. “Movable Object, Irresistible Force.” New York Times, 4 May 1969, D23.
Glueck, G. “Tamarind: Homage to Lithography.” New York Times, 30 April 1969, 36.
Hendrick, K. “Tax Bill Held Threat to Cultural Explosion.” Christian Science Monitor, 12 September 1969, 3.
Howell, B. “Perspective on Art.” Los Angeles Evening Outlook, Outlook West, 2 August 1969, 16A.
Howell, B. “Perspective on Art.” Los Angeles Evening Outlook, Outlook West, 13 September 1969, 16A.
Howell, B. “Perspective on Art.” Los Angeles Evening Outlook, Outlook West, 20 September 1969, 16A.
“June Wayne.” Cincinnati Enquirer, 14 September 1969, 12H.
Kosover, T. “The Rescued Art.” New York Women’s Wear Daily, 29 April 1969, 12.
Krebs, B. D. “Lithography on Display.” Dayton (Ohio) Leisure, 1 June 1969.
Lansdell, S. “Cincinnatian’s New Book.” Louisville (Kentucky) Courier Journal & Times, 11 May 1969, F13.
Levinson, R. “ArtScene.” Coast & FM Fine Arts, August 1969.
Lieberman, W. S., and V. Allen. Tamarind: Homage to Lithography. Exh. cat. New York: Museum of Modern Art, 1969.
Lithographs by June Wayne: A Retrospective. Exh. checklist. Cincinnati: Cincinnati Art Museum, 1969.
Nordland, G. Francis / Kanemitsu / Moses / Wayne. Exh. cat. Downey, California: Downey Museum of Art, 1969.
O’Connor, J. J. “Can the Artist Be More Businesslike?” Wall Street Journal, 17 June 1969, 22.
Polley, E. M. “Tamarind Suites Exhibited.” Vallejo (California) Sunday Times-Herald, 2 March 1969.
Randolph, N. “Raffle-Dazzle Dinner Opens the Season.” New York Daily News, 28 April 1969, 36.
Roesch, R. “Dedication to a Cause Livens Lithography Art.” King Features Syndicate, 14 July 1969.
Sakol, J. “June Revives Dead Art.” San Francisco Sunday Examiner Chronicle, Women Today, 12 October 1969.
Savino, G. “Prints Pretty Picture for Lithography.” Newark Evening News, 22 May 1969.
Savoy, M. “Victories of June Wayne, Lithographer.” Los Angeles Times, 6 July 1969, H1.
Schmitz, K. “Are We Moving Lemming-Style to the Shade of the Mushroom?” Cincinnati Enquirer, 19 September 1969.
Seldis, H. J. “Leadership Roles Need Clarification.” Los Angeles Times, 6 March 1969, part 4, 1.
Seldis, H. J. “New York’s Grudging Tribute to Tamarind.” Los Angeles Times, Calendar, 4 May 1969, 44.
Seldis, H. J. “Poster Twits N.Y. Museum.” Los Angeles Times, 1 May 1969, part 4, 7.
Simon, R. “The Tamarind Workshop and June Wayne.” Arts Magazine 43, no. 7 (May 1969): 23.
Snyder, C. “Tempo: A Guide to the Art of Living.” Los Angeles Herald-Examiner, California Living, 30 November 1969.
Society of Washington Printmakers: Members’ Show 1969. Exh. cat. Washington, D.C.: George Washington University Art Gallery, 1969.
Wilson, W. “Volume on the Art of June Wayne.” Los Angeles Times, Calendar, 27 April 1969, 44.
1970
“Art Notes.” Santa Barbara News-Press, 3 May 1970.
Beall, Karen F. American Prints in the Library of Congress: A Catalog of the Collection. Baltimore: Johns Hopkins Press, 1970: 492–93.
Beaver, J. “Artist’s Goal: Improve Art Quality and Availability.” Iowa City Press-Citizen, 10 February 1970.
Bloch, E. M. June Wayne: Burning Helix (Eighteen Large Lithographs Realizing the Genetic Code). Exh. cat. Los Angeles: Peter Plone Associates and Grunwald Graphic Arts Foundation, University of California at Los Angeles, 1970.
Emery, E. “Tamarind’s Tale of Triumph.” Long Beach Press-Telegram, 3 May 1970.
Foremost Women in Communication. New York: Foremost Americans Publishing Corporation, 1970: 656.
“Founder of Tamarind Workshop to Exhibit Works at Art Museum.” Iowa City Daily Iowan, 16 January 1970.
Gambit, KCET Los Angeles Program Guide, June 1970.
Getlein, F. “Contributing to the Vigor of the Printmaker’s Art.” Washington, D.C. Sunday Star, 16 August 1970, C1.
Good, J. “Artists of the 60’s.” Hollywood Citizen News, Art and Artists, 2 January 1970.
“Helix Show Due at UCLA.” Los Angeles Times, Calendar, 20 December 1970, 61.
Howell, B. “The Tamarind Decade.” Los Angeles Herald-Examiner, 24 May 1970.
Jensen, J. “Conversation with America’s Master of Printmaking.” Davenport-Bettendorf (Iowa) Sunday Times-Democrat, The Lively Arts, 29 March 1970.
“June Wayne Says . . .” Artists Equity Association, Summer 1970.
Kelson, D. H. “The Bookshelf.” Wellesley Alumnae Magazine 54, no. 3 (Spring 1970): 26.
Kutner, J. “Lithography Revival at Carter.” Dallas Morning News, 2 May 1970, 4E.
Kutner, J. “Tamarind Grows to New Mexico.” Dallas Morning News, 11 August 1970, 14A.
Levinson, R. S. “Key Comment: Art.” Key, 27 November–3 December 1970.
Levinson, R. S. “Renaissance of Lithography . . . And It’s Happening in Los Angeles.” Westways 62, no. 11 (November 1970): 7.
“Lithographic Center Established.” UNM Alumnus, University of New Mexico, Summer 1970.
Marks, L. “June Wayne Shows Lithograph at U. of I.: Airs Artists’ Plight in Lecture.” Cedar Rapids (Iowa) Gazette, 15 February 1970, 3C.
McCune, C. “Lively Arts.” (Tucson) Arizona Daily Star, 29 November 1970.
Mellow, J. “Now Mama and Papa Sell Prints.” New York Times, 13 September 1970, D29.
Mulvaney, B. “June Wayne Discusses Her Art.” Iowa City Daily Iowan, 17 February 1970.
“A New Home for Tamarind.” Los Angeles Times, Calendar, 30 August 1970, 57.
“New Print Institute.” Davenport-Bettendorf (Iowa) Sunday Times-Democrat, The Lively Arts, 23 August 1970.
Newton, J. “UNM-Linked Effort Marks.” Albuquerque Journal, 26 April 1970.
Owyang, J. “The Art Scene.” Los Angeles Evening Outlook, Outlook West, 2 May 1970, 16A.
Owyang, J. “The Art Scene.” Los Angeles Evening Outlook, Outlook West, 22 August 1970, 16A.
Owyang, J. “The Art Scene.” Los Angeles Evening Outlook, Outlook West, 21 November 1970, 13A.
“People Are Talking About.” Vogue 156, no. 7 (15 October 1970): 68–69.
Print Collector’s Newsletter 1, no. 4 (September–October 1970).
Raphel, S. “Research in the Graphic Arts.” Vie des Arts 59 (Summer 1970).
Seldis, H. J. “Tamarind’s Printmaking to Be Moved.” Los Angeles Times, 29 April 1970, part 4, 1.
Tabak, M. N. “Tamarind Lithography Workshop.” Craft Horizons (parts 1–3) 30, no. 5 (October 1970): 28–33, 63–64; 30, no. 6 (December 1970): 50–55; 31, no. 1 (February 1971): 35–37, 60.
“Tamarind Lithography Center Set for U.” (Albuquerque) Lobo, 29 April 1970, 3.
“UNM to Become Lithography Base.” Albuquerque Journal, 29 April 1970.
“UNM to Be Home of Outstanding Lithography Workshop.” (Santa Fe) New Mexican, 3 May 1970, D8.
Winship, F. “Persevering Blonde Revives Old Art of Lithography.” Denver Post, 4 May 1970, 22.
Zigrosser, Carl. The Appeal of Prints. Philadelphia: Leary’s Book Company, 1970: 128.
1971
Adams, C., and G. Antreasian. The Tamarind Book of Lithography: Art & Techniques. New York: Harry N. Abrams, 1971: preface, 131, 148.
Adhémar, J. Twentieth Century Graphics. New York: Praeger, 1971: 199.
“Art News.” Los Angeles Times, Calendar, 17 October 1971, 63.
Bernard, L. “In the Roaring Graphics Boom.” North Shore Art League News, May–June 1971.
Bloch, E. M. Tamarind: A Renaissance of Litho-graphy. Exh. cat. Baltimore: International Exhibitions Foundation, 1971.
Bloch, E. M., K. A. Smith, and T. Travis. Made in California: An Exhibition of Five Workshops. Exh. cat. Los Angeles: Grunwald Graphic Arts Foundation, University of California at Los Angeles, 1971.
Breivik, A. “Hun reddet litografi-kunsten i USA June Wayne grunnla Tamarind-verkstedet.” Aftensposten (Oslo), 13 October 1971.
“Burning Helix.” UCLA Monthly 1, no. 4 (January 1971).
Cincinnati Art Museum Bulletin 9 (June 1971): 63.
Courroy, J.-P. Premiere Biennale Internationale de l’Estampe. Exh. cat. Épinal, France: Musée international de l’imagerie, 1971.
Eppink, N. R. 101 Prints, The History and Techniques of Printmaking. Norman: University of Oklahoma Press, 1971: 125.
Everts, C. Southern California Artists: Prints. Exh. cat. Laguna Beach: Laguna Beach Art Gallery, 1971.
Gerson, I. “Grunwald Features Wayne Exhibit.” Los Angeles Daily Bruin Campus, 25 January 1971.
Groschwitz, G. von. Accessions 1969–1970. Exh. cat. Iowa City: University of Iowa Museum of Art, 1971: 37.
Howell, B. “Dickson Center Hosts a Diverse Exhibits Pair.” Los Angeles Herald-Examiner, Women’s World, 24 January 1971.
Hughes, R. “Art.” Time, 18 January 1971.
Invitational Lithography Exhibition. Exh. cat. Tallahassee: Florida State University, 1971.
“June Wayne Exhibition.” Westart 9, no. 8 (8 January 1971): 5.
“Litho Exhibition Opens at MWP.” Utica (New York) Observer-Dispatch, 5 December 1971, 9B.
Marvel, B. “Artists Forsake Art for Protest, and They’re in a Valid Tradition.” National Observer 10, no. 3 (18 January 1971): 22.
Marvel, B. “Tamarind Revives the Art Prestige of Prints.” National Observer 10, no. 32 (9 August 1971): 22.
“Of Graphic Interest: Burning Helix, New Lithographs by June Wayne.” Artist’s Proof: The Annual of Prints and Printmaking. New York: Pratt Graphics Center, 1971: 11, 101.
Primera Bienal Americana de Artes Graficas. Exh. cat. Cali, Colombia: Museo La Tertulia, 1971.
Robinson, W. T. American Portraits—Old and New. Exh. cat. Long Beach: Long Beach Museum of Art, 1971.
Second National Invitational Print Show. Exh. cat. San Diego: Fine Arts Gallery, San Diego, 1971.
Seldis, H. J. “Artistic Merits of June Wayne Works.” Los Angeles Times, Art Walk, 5 February 1971, part 4, 6.
Solomon, E. Oversize Prints. Exh. cat. New York: Whitney Museum of American Art, 1971.
1972
Austin, D. “She Draws Bead on Art World.” Milwaukee Sentinel, 24 October 1972, part 1, 6.
Bishop, J. “Reviews and Previews.” Artnews 71, no. 1 (April 1972): 63.
BT. “Woman Artist Is Neglected.” Fresno Bee, Women’s Activities, 28 August 1972, A8.
Braeutigam, Rosalie and Fiske, Betty, Sex Differentials in Art Exhibition Reviews, Tamarind Lithography Workshop, Los Angeles
Chamberlain, B. “Sexism in Art.” American Artist 36, no. 362 (September 1972): 60, 69.
Cochrane, D. “Women in Art: A Progress Report.” American Artist 36, no. 365
(December 1972): 52.
Diamonstein, B. Open Secrets: Ninety-four Women in Touch with Our Time. New York: Viking Press: 1972, 426–31.
Everts, C. Southern California Artists—Prints. Exh. cat. Laguna Beach: Laguna Beach Art Gallery, 1972.
Findsen, O. “Figures for Women Artists.” Cincinnati Enquirer, 30 April 1972, G6.
Frankenstein, A. “Women and Art—The Tamarind Survey.” San Francisco Chronicle,
This World, 9 April 1972, 33.
Glimcher, A. B. Louise Nevelson. New York: Praeger, 1972: 123, 125.
Glueck, G. “No Fair Play for the Fair Sex?” New York Times, 11 June 1972, D23.
Jacobs, J. “Stoned.” Art in America 60, no. 1 (January 1972): 119.
“June Wayne.” Gambit, KCET Los Angeles Program Guide, December 1972, 2–4.
June Wayne Lithographs. Exh. cat. New York: Gimpel and Weitzenhoffer, 1972.
Majorel, D. Des Peintres, Un Lissier, Une Oeuvre Concertée. Exh. cat. Paris: Galerie La Demeure, 1972.
Manger, B., “June Wayne’s Role.” Artweek 3, no. 38 (11 November 1972): 2.
O’Connor, J. “TV: Format for the Arts.” New York Times, 18 December 1972, 79.
Prelutsky, B. “Making It.” Los Angeles Times West Magazine, 13 August 1972, 14.
Ratcliff, C. “New York Letter.” Art International, no. b–7 (Summer 1972): 73–74.
Reed, R. B. Eighty Prints. Exh. cat. Lafayette, Indiana: Purdue University Fine Arts Gallery, 1972.
Richard, P. “Sexism in the Arts.” Washington Post, Style, 27 March 1972, B1, B9.
Seldis, H. J. “Are Art Critics Guilty of Sex Discrimination?” Los Angeles Times, Calendar, 7 May 1972, 1, 54.
Seldis, H. J. “Wilshire Center.” Los Angeles Times, Art Walk, 3 March 1972, 5.
Snyder, C. “Closing the Gap between Artist and Public.” Los Angeles Herald-Examiner, Women’s World, 21 May 1972.
Snyder, C. “A Genius Is a Person Apart from His Time.” Los Angeles Herald-Examiner, Women’s World, 15 August 1972.
“Visual Arts and Museum News.” Arts Reporting Service 2 (17 April 1972): 1–2.
Wallach, A. “Art World Bares Its Problems on TV.” Newsday, The Arts, 24 December 1972, part 2, 21–22.
Winer, H. “June Wayne: Far Cry from Girl Talk.” Los Angeles Times, Calendar, 10 December 1972, 82.
Winship, F. M. “Women Struggle for Recognition in the Art World.” Columbus (Ohio) Evening Dispatch, 7 May 1972, 22C.
1973
Alereque, M.–H. “Epinal Capitale de l’Image.” Nouvelles de l’Estampe 9 (1973): 30.
“Artist Meets Lawmakers.” Hawthorne (California) Press Tribune, November 1973.
Blankfort, M. I Didn’t Know I Would Live So Long. New York: Charles Scribner & Sons, 1973: 15–17.
Canavier, E. “A Multitude of Images by June Wayne.” Los Angeles Times, Calendar, 11 November 1973, 72.
Courroy, J.-P. Seconde Biennale Internationale de l’Estampe. Exh. cat. Épinal, France: Musée international de l’imagerie, 1973.
Drake, E. “Variety Featured in June Wayne Show.” Municipal Arts Newsletter 7, no. 3 (Winter 1973).
Dunn, B. “A Remarkable Woman.” Napa (California) Register, 17 November 1973, 15.
“18,000 Square Feet of Womanspace.” Los Angeles Times, Calendar, 2 December 1973, 75.
Frankenstein, A. “Thumb Prints and Waves.” San Francisco Chronicle, This World, 18 November 1973, 42–43.
Gardner, P. “Tamarind: Transforming the Great Stone Place.” Artnews 72, no. 3 (March 1973): 27–28.
Goldman, J. “The Print Establishment.” Art in America 61, no. 4 (July–August 1973): 105–9.
The Harold and May Rosenberg Collection. Exh. cat. Montclair, New Jersey: Montclair Art Museum, 1973.
Harwood, J. “June Wayne—Innovative Tapestries.” Sourcebook 20, no. 11 (November 1973): 41–42.
Hodgetts, V. “Womanspace: Rezoning the L.A. Art Scene.” Ms. 2, no. 2 (August 1973): 24–25.
Howell, B. “June Wayne: Multi-media Expo.” Los Angeles Herald-Examiner, 18 November 1973.
“Innovations in Paper.” Weyerhaeuser Paper Division 4, no. 3 (May 1973): 8–11.
Jensen. “Exhibit Stretches Mind.” Davenport-Bettendorf (Iowa) Times-Democrat, 20 November 1973.
Jones, M. B. “Musings.” Anchorage Daily News, 1 July 1973, 13.
Jones, M. B. “Musings.” Anchorage Daily News, 18 July 1973, 9.
“June Wayne’s Show at Barnsdall Park Art Gallery Viewed.” Los Angeles Times, Calendar, 11 November 1973, 72.
“June Wayne: Tidal Visa.” Artweek 4, no. 37 (3 November 1973): 1.
Mathieu, D. “Artistic Savvy.” Art Director (Magazine of Visual Communication), February 1973, 68.
McCann, C. M. “June Wayne.” Artweek 4, no. 40 (24 November 1973): 16, back page.
“Museum of Art Receives Major Gift of Prints.” Iowa City Press-Citizen, 16 May 1973.
“New Works by June Wayne on Display at Barnsdall Park.” Hollywood Independent, 19 November 1973.
Nouvelles de l’Estampe 12 (November–December 1973): 48.
O’Neill, A. “What’s Happening.” Los Angeles Herald-Examiner, California Living, 11 November 1973.
“The Politics of Art.” Arts in Society 10, no. 3 (Fall–Winter 1973): 62, 78–90.
Ross, K. June Wayne: An Exhibition of Paintings, Tapestries, Lithographs. Exh. cat. Los Angeles: Los Angeles Municipal Art Gallery, Barnsdall Park, 1973.
Snyder, C. “Secretariat Pace Needed for Art Opening Fans.” Los Angeles Herald-Examiner, Women’s World, 2 November 1973.
“Tribute to Talent.” Los Angeles Evening Outlook, 12 November 1973.
“200 Art Works on Display.” Iowa City Press-Citizen, 25 April 1973.
“Wayne Show at Gallery.” Hollywood Independent, 8 November 1973.
Weiss, E. “Bel Airites Attend Preview at Municipal Art Gallery.” Bel-Air (California) Scene, 7 November 1973.
Weiss, E. “Exhibit of New June Wayne Art Works to Open Oct. 31 at Municipal Gallery.” Bel-Air (California) Scene, 17 October 1973.
Wilke, U., and G. von Groschwitz. Accessions 1971–1972. Exh. cat. Iowa City: University of Iowa Museum of Art, 1973: 4, 45, 47–50.
1974
“Additional Art News.” Los Angeles Times, Calendar, 29 September 1974, 73.
Albright, T. “Wayne Lithographs.” San Francisco Chronicle, 1 April 1974, 41.
“Aux U.S.A.: Trois Positions.” Nouvelles de l’Estampe 13 (January–February 1974): 19.
Baltrusaitis, H. Tapisseries et Lithographies de June Wayne. Exh. cat. Paris: Galerie La Demeure, 1974.
“Battle Re Acad Short Nominee Credits Bring Court Action.” Variety, 27 March 1974, 1.
Beaupre, B. “Acad Short Subject Nominees Reveal Sad State of the Art.” Variety, 27 March 1974.
Beaupre, B. “Sanders Speaks Out on Dispute over Stones Acad Nominee.” Variety, 13 March 1974, 15.
Berkman, F. “Artists Are Displaced Persons.” Hartford Times, 4 August 1974, 35, 37.
Bloch, E. M. Twenty Years of Acquisitions: Evolution of a University Study Collection. Exh. cat. Los Angeles: Grunwald Center for the Graphic Arts, University of California at Los Angeles, 1974.
Byrne, B. “Dispute Over Oscar Credit.” Los Angeles Herald-Examiner, 4 March 1974.
Byrne, B. “Film News.” Los Angeles Herald-Examiner, 6 April 1974.
Carlson, V. I. “American Prints: 1950–1974— Some Observations.” Baltimore Museum of Art Record 5, no. 1 (September 1974): 1–2.
Chamberlain, B. “Professional Page.” American Artist 38, no. 386 (September 1974): 15, 76.
Chapline, C. “More Support for Artists.” Artweek 5, no. 9 (2 March 1974): 16.
Desanti, D. “Les Tempêtes de June Wayne.” Le Monde (Paris), 12 December 1974.
“Docu, Short Subjects Nominees for Oscars Announced by Acad.” Variety, 15 February 1974, 1.
Dungan, E. “To the Artist: Lead Don’t Follow.” San Francisco Examiner, 6 March 1974, 23.
Everts, C. Prints by Twenty-four Southern California Printmakers. Exh. cat. San Bernardino: California State College Art Gallery, San Bernardino, 1974.
Frankenstein, A. “June Wayne: Making Waves.” Artnews 73, no. 2 (February 1974): 72.
“Une galerie a vocations multiples.” L’Oeil 232 (November 1974): 56.
Gibson, M. “Paris.” International Herald Tribune, 21 December 1974, 6.
Glueck, G. “Panel Bids Art Museums Shun Politics and Pick Trustees from Community.” New York Times, 4 November 1974, 45.
Hare, D. “Film.” Craft Horizons 34, no. 5 (October 1974): 18, 61.
Inge, A. “June Wayne—Joan of Art.” Playgirl 2, no. 3 (August 1974): 44–46, 109.
Jarry, M. La Tapisserie. Fribourg, Switzerland: Office du Livre, 1974: 173, 236, 334.
Jarry, M. “Les Tapisseries de/The Tapestries of/ June Wayne (Lithographs as tapestry source).” Cimaise 21, nos. 117–18 (May–August 1974): 56–65.
Jennings, J. “June Wayne Speaks Out for Art.” San Diego Evening Tribune, 18 February 1974, A15.
Johnson, B. E. “The Many Faces of a Waterly World.” Los Angeles Times, Home, 29 September 1974, 25.
“June Wayne among Incorporators of New Foundation.” Artist’s Equity National Newsletter, January 1974, 1, 4.
June Wayne: An Exhibition of Lithographs and Tapestries. Exh. cat. Fullerton, California: Muckenthaler Cultural Center, 1974.
“June Wayne, Fullerton.” Cali-West Art (Auburn, California), 13 September 1974.
“June Wayne Show Scheduled at Center.” Buena Park Orange County (California) Call Enterprise, 1 September 1974.
Katz Flier, E. “Women Behind Walls.” Artweek 5, no. 32 (28 September 1974): 4.
Kester, B. “Exhibitions: Los Angeles.” Craft Horizons 34, no. 1 (February 1974): 47.
Kester, B. “The Tapestries of June Wayne.” Craft Horizons 34, no. 6 (December 1974): 36–39, 80–81.
Kilday, G. “Kanemitsu and Its Credit Controversy.” Los Angeles Times, 2 April 1974, part 4, 7.
Knigin, M., and M. Zimiles. “Tamstone Group.” The Contemporary Lithographic Workshop Around the World. New York: Van Nostrand Reinhold, 1974: 164–65.
Marchand, S. “Le Noir et le Blanc.” Le Figaro (Paris), 20 December 1974, 30.
Masteau, P. “June Wayne à La Demeure.” Courrier du Dreuble (Paris), 20 December 1974.
New Editions. Exh. cat. Claremont, California: Montgomery Gallery, Pomona College, 1974.
“Noted Artist to Present Seminar.” Anaheim (California) Bulletin, 29 August 1974.
Nouvelles de l’Estampe 15 (May–June 1974): 38.
Schapiro, M. Anonymous Was a Woman. Valencia: Feminist Art Program, California Institute of the Arts, 1974: 132–33.
Seidenbaum, A. “What Say Women?” Los Angeles Times, 11 July 1974, part 2, 1.
Self-Portraits of Great Artists. Alhambra, California: Borden Publishing Company, 1974: 19.
“Short Subjects, Docs Nominated for Oscar Bid.” Hollywood Reporter 230, no. 10 (15 February 1974): 1.
Snedaker, K. “Good Taste: A Personal Matter.” Los Angeles Herald-Examiner, California Living, 4 August 1974, 5–7.
“Tangled Credits on Acad Short Nominee Bare Long Litigation.” Variety, 20 February 1974.
“Tapestry Display and Seminar Scheduled at Muckenthaler.” Fullerton (California) Daily News Tribune, 23 August 1974, B3.
“What Papa Is Pleased—?” Long Beach Press-Telegram, September 1974.
Wilke, U. Accessions 1973. Exh. cat. Iowa City: University of Iowa Museum of Art, 1974.
1975
Adams, C. Lithography I: First Biennial Exhibition of Contemporary Lithography. Exh. cat. Albuquerque: University of New Mexico Art Museum, 1975.
Alge, M. “Art Goes to the Commons.” Cleveland (Ohio) Press, 10 July 1975, E2.
“Art Conference Begins.” Evanston (Illinois) Daily Northwestern, 3 October 1975.
Beckman, A. “Women Artists Explore What Lurks Behind Creativity.” Madison Capital Times, 7 October 1975.
Blot, J. “June Wayne et Perahim.” L’Arche, no. 215 (26 January–25 February 1975): 59.
“The Creativity of Women . . .” Wisconsin Women in the Arts Second Annual Conference (program), 24 October 1975.
Duffy, R. E., Jr. “Sieroty’s AB1054 —A Reply to June Wayne.” Artweek 6, no. 26 (26 July 1975): 17.
Duncan, C. “When Greatness Is a Box of Wheaties.” Artforum 14, no. 2 (October 1975): 64.
Esterow, E. “The Future of American Museums.” Artnews 74, no. 1 (January 1975): 34–37.
Fifty-third Exhibition of the Society of American Graphic Artists. Exh. cat. New York: Azuma Galleries, 1975.
Fox Weber, N. “Prints . . . Annie Albers and the Printerly Image.” Art in America 63, no. 4 (July–August 1975): 89.
Fundaburk, E. L., and T. G. Davenport, eds. Art in Public Places in the United States. Bowling Green, Ohio: Bowling Green University Popular Press, 1975: 76–80, 104–7, cat. nos. 88, 92–93, 409.
Greathouse, K. “Artist Deplores Misconceptions in Public Image.” Wisconsin Women in the Arts, 7 October 1975.
Guggenheim, M. “June Wayne Exhibition—La Demeure Gallery.” L’Arche, no. 217 (April 1975).
Ianco-Starrels, J. “Art News.” Los Angeles Times, Calendar, 14 September 1975, 67.
Ianco-Starrels, J. “USSR Scythian Exhibit to Open—Art News.” Los Angeles Times, Calendar, 27 July 1975, 72.
Isenberg, B. “Portrait of the Artist as a Financial Disaster.” Los Angeles Times, Calendar, 27 April 1975, 1, 58.
Jarry, M. “Quoted from Twentieth Century Tapestries.” Art: A Women’s Sensibility, June 1975, 75.
“June Wayne.” Nouvelles de l’Estampe 20 (January–February 1975).
Kilgo, D. “Tamarind: A Renaissance of Lithography.” New Art Examiner 3, no. 1 (October 1975): 17.
Knapton, K. S., Jr. “Tamarind—Yesterday and Today.” Graphics 1, no. 1 (Spring 1975): 16–19.
Kolan, S. R. “California Artists Form United Front in Sacramento.” Art Workers News 5, no. 4 (May–June 1975): 1, 8.
Masteau, P. “June Wayne à La Demeure.” Revue de l’ameublement, February 1975.
McCann, C. “Artists Warned on AB1054.” Artweek 6, no. 25 (12 July 1975): 13.
McLaughlin, P. “Raps on Creativity.” Oshkosh (Wisconsin) Advance-Titan, 9 October 1975, 22.
Meyer, K. “The Artless Box.” Saturday Review 3, no. 3 (1 November 1975): 51.
“News and Notes, AFEA Meeting Features June Wayne.” Artweek 6, no. 41 (29 November 1975): 7.
Pely, A. “L’hyperrealisme au Festival de Deauville.” Le Quotidien de Paris, 8 September 1975.
R. G. “En Collaboration Avec Les Atelier Locaus. I’E. N.A. D. Presente une Belle Exposition de Tapisseries.” Populaire Du Centre (Paris), 15 July 1975.
Shaffer, R. L. Associated Press Cleveland, 12 July 1975.
“U.S. Deauville.” Le Figaro (Paris), 30–31 August 1975, 18.
“Wayne Exhibit Set.” Oshkosh (Wisconsin) Advance-Titan, 2 October 1975, 22.
West, G. “Revival of a Renaissance Art Form—Tapestries.” Clipper 15, no. 6 (June 1975): 16–17, 37.
Wilson, B. “Harriet Zeitlin.” Currânt 1, no. 2 (June–July 1975): 50.
Winds, Waves, Visas: Tapestries, Paintings, Lithographs by June Wayne. Exh. checklist. Chicago: Artemisia Gallery, 1975.
Witt, L. “The Lemons of Landfall Press: They’ll Sacrifice Anything for Art but Their Family.” People, 27 October 1975, 67–69.
1976
“Additional Art News.” Los Angeles Times, Calendar, 7 March 1976, 70.
American Artists ’76: A Celebration. Exh. cat. San Antonio: McNay Art Institute, 1976.
“Art Center Exhibits Wayne’s Tapestries, Paintings.” Pueblo (Colorado) Today, 12 February 1976.
Art ’76: Die International Kunstmesse. Exh. cat. Basel: Hallen der Schweizer Mustermesse, 1976.
Askey, R. “Women Artists on Art.” Artweek 7, no. 18 (1 May 1976): 6.
Brodsky, J. K. “Some Notes on Women Printmakers.” Art Journal 35, no. 4 (Summer 1976): 374–77.
Burkhart, D. “Review 4: June Wayne.” Visual Dialog 1, no. 4 (June–August 1976): 24.
Castleman, R. Prints of the Twentieth Century: A History. New York: Oxford University Press, 1976: 165.
Chamberlain, B. “Prints: Can We Legislate?” American Artist 40, no. 405 (April 1976): 26, 78–85.
“Chieftain Pulse.” Pueblo (Colorado) Chieftan, 18 February 1976.
Cochrane, D. “Activism in the Arts: Temporary Phenomenon or Permanent Force?” American Artist 40, no. 40 (February 1976): 68–69.
Daquin, P., and M. Thomas. “Conversation avec June Wayne.” Dri à Di (Paris), October–November–December 1976, 6–12.
Eichenberg, F. The Art of the Print. New York: Harry N. Abrams, 1976: 422, 529, 555.
“Estampes et Tapisseries.” Ouest-France, édition du Brest, 15 December 1976.
Frankenstein, A. “Tragedy and Geometry.” San Francisco Chronicle, 13 May 1976, 47.
Fuller, M. “You’re Looking for Bruce Connor, the Artist, or What Is This Crap You’re Trying to Put Over Here?” Currânt 2, no. 1 (May–June–July 1976): 8–12, 58–59.
Gallagher, J. T. “Wayne Believes Artists Need Political Clout.” Pueblo (Colorado) Chieftain, 19 February 1976.
Glass, L. “June Wayne Graphics, Paintings and Tapestries.” Artweek 7, nos. 21–22 (May 1976): 1, 16.
Hazlitt, G. “Mythic Fire and Magical Space.” Artnews 75, no. 9 (November 1976): 92.
Hunter, J. “The Antiquarian Teenager.” Visual Dialog 1, no. 3 (March–April–May 1976): 37–38.
“June Wayne Awarded Honorary Degree.” Artweek 7, no. 13 (27 March 1976): 6.
“June Wayne Exhibit Lecture Scheduled.” Pueblo (Colorado) Star Journal, 29 January 1976, 1, 4.
“June Wayne Exhibits in France.” Artweek 8, no. 1 (25 December 1976): 17.
June Wayne: Graphics, Paintings, Tapestries. Exh. checklist. San Francisco: Van Doren Gallery, 1976.
Loach, R. “Comments.” Visual Dialog 1, no. 4 (June–July–August 1976): 2.
Loach, R. “Hank Baum.” Visual Dialog 1, no. 3 (March–April–May 1976): 24–25.
Price, V. B. “Tamarind Institute and Restaurant Upgrading Our Level of Living.” Albuquerque Independent, 27 February 1976, 15.
Reed, M. “Art Prints of the Southwest.” Southwestern Art 5, no. 4 (Winter 1976–77): 33–35.
Schipper, M. “Los Angeles Art Community: Group Portrait.” LAICA Journal (A Year-End Report), no. 12 (October–November 1976): 6–7.
Schulze, F. “Making Marks in Chicago.” Artnews 75, no. 7 (September 1976): 60–62.
“Seminar Studies Artistic, Philosophical Problems.” Idyllwild (California) Town Crier, 29 January 1976, 4.
Shapiro, C., and L. Mason. Fine Prints: Collecting, Buying and Selling. New York: Harper and Row, 1976: 66, 69.
Smith, K. “June Wayne: Breaking the Stereotype.” Currânt 2, no. 1 (May–July 1976): 14–25.
Snyder, C. “Louise Nevelson Icon in Wood.” Los Angeles Herald-Examiner, 25 October 1976.
The Tamarind Institute Report no. 22. Albuquerque: University of New Mexico, Tamarind Institute, September 1976, 4.
. . . To Form a More Perfect Union . . . Justice for American Women. Washington, D.C.: National Commission on the Observance of International Women’s Year, U.S. Government Printing Office, 1976: 34.
Tomkins, C. “Profiles: The Moods of a Stone.” New Yorker, 7 June 1976, 42–76.
“USC Exhibit Features June Wayne Tapestries.” Pueblo (Colorado) Star-Journal, 5 February 1976, 15A.
“USC Exhibit Is Work of June Wayne.” Pueblo (Colorado) Chieftain, 6 February 1976.
Weisberg, R. “Legislation.” Newsprint–Journal of the Los Angeles Printmaking Society, February 1976.
1977
Adams, C. “Lynton R. Kistler and the Development of Lithography in Los Angeles.” Tamarind Technical Papers, no. 8 (Winter 1977–78): 100–109.
Adams, C., and Groschwitz, G. von. Tamarind: Suite Fifteen (Lithography II). Exh. cat. Albuquerque: University of New Mexico Art Museum, 1977.
Allen, C. “Memo from the President.” Gambit, KCET Los Angeles Program Guide, April 1977, 3–4.
“Artist June Wayne Will Speak at Cypress College.” Los Angeles Times, Orange County edition, 27 February 1977, part 9, 6.
Askey, R. “L.A. Women, Art and the Future.” Women Artists Newsletter 3, no. 1 (May 1977): 2, 7.
Beck, J. “June Wayne Exhibit Opens.” Cypress (California) Hoofbeat 11, no. 17 (2 March 1977): 3.
Blum, J. “Feminist Art Criticism—What Are the Crucial Issues?” Women’s Caucus for ARTnewsletter 6, no. 2 (April 1977): 5–6.
Brodsky, J. K. Contemporary Issues: Works on Paper by Women. Exh. cat. Los Angeles: Woman’s Building, 1977.
Carter, M. N. “The NEA: Will Success Spoil Our Biggest Patron?” Artnews 76, no. 5 (May 1977): 32.
“College Art Association, February 1–5 L.A.” Women Artists Newsletter, March 1977, 1.
“Cypress College Hosts Workshop” Santa Ana (California) Register, 6 March 1977.
“Exhibit Due at Cypress.” Los Alamitos (California) News Enterprise, 10 March 1977.
Exhibition, The Women’s Art Symposium. Exh. cat. Terre Haute: Indiana State University, 1977.
Foreman, M. D. “Women in Art.” Pocket Guide to the Location of Art in the United States. Luverne, Alabama: Fundaburk, 1977.
Gardiner, H. G. Invitational American Drawing Exhibition. Exh. cat. San Diego: Contemporary Arts Committee, Fine Arts Gallery, San Diego, 1977.
Glueck, G. “Off the Loom, Onto the Press.” New York Times, 30 September 1977, 63.
Isenberg, B. “Building a Bridge to the Arts.” Los Angeles Times, View, 1 November 1977, 1.
Isenberg, B. “Peter Krasnow at 90: His Art Doesn’t Age.” Los Angeles Times, Calendar, 4 September 1977, 1, 78.
June Wayne’s Lithographs. Exh. checklist. Palm Springs: Palm Springs Desert Museum, 1977.
“Lithography.” West Orange County (California) Community Advocate, 9 March 1977.
Loach, R. “June Wayne.” Visual Dialog, Women in the Visual Arts 2, no. 3 (March–April–May 1977): 4–8.
Loring, J. “American Prints from Fuses to Fizzles.” Art in America 65, no. 1 (January/February 1977): 31–34.
McGowan, D. “Artists’ Fiscal Picture Is Black, Advocate Says.” (Phoenix) Arizona Republic, 28 February 1977, A1–A2.
Moser, C. “She Revived an Art Form by Chance.” Houston Chronicle, 23 November 1977, sec. 1, 8.
Price, V. B. “City Review.” New Mexico Independent 82, no. 3 (4 November 1977): front page.
Rosenberg, A. L. “Feminist Art Criticism.” Women Artists Newsletter, Women’s Caucus, CAA, 2, no. 10 (April 1977): 1, 8.
Rubicon Gallery Catalog Number One 1977. Exh. cat. Los Altos, California: Rubicon Gallery, 1977.
Sanders, A. Shades of Gray: A Drawing Survey. Exh. cat. Los Angeles: Malone Art Gallery, Loyola Marymount University, 1977.
Snedeker, K., and C. Snyder. “June Wayne” in “Woman L.A.: The Most Powerful Women in L.A.” Los Angeles Herald-Examiner, 27 October 1977, D12.
Tapestries and Lithographs by June Wayne. Exh. checklist. Cypress, California: Cypress College Fine Arts Gallery, 1977
“Three New Exhibitions Open at Desert Museum.” Palm Springs Desert Sun, 2 December 1977, A14.
“Two Art Exhibits Slated in County for Weekend.” Los Angeles Times, What’s Doing in Orange County, 11 March 1977, part 4, 17.
“Wayne: Thanks for the Think.” Craft Horizons 37, no. 1 (February 1977): 11.
Weaver, G. “A Champion in the Fight for Artists Rights.” Palo Alto (California) Times, 7 January 1977, sec. 3, 13.
Wilding, F. By Our Own Hands: The Women Artist’s Movement, Southern California 1970–1976. Santa Monica: Double X, 1977: 5–7, 22–23.
Wilson, W. “100+ Exhibition in LAICA’s New Setting.” Los Angeles Times, View, 28 March 1977, 3.
Yasunari, W. Feminist: Japan, no. 2 (1977).
1978
“Artist Groups Set ‘Recognition’ Honor.” Hollywood Reporter, 13 October 1978, 4.
Baltrusaitis, H., M. Jarry, and N. Babel-Brown. June Wayne: Tapisseries, Lithographies. Exh. cat. Rennes, France: Franco-American Institute, 1978.
Bloch, M. Preface to “Words and Images—Universal Limited Art Editions.” UCLA Art Council, 1978.
Cate, P. D., and S. H. Hitchings. The Color Revolution: Color Lithography in France 1890–1900. Exh. cat. New Brunswick, New Jersey: Rutgers University Art Gallery, 1978.
Creighton, P. “Wayne Exhibit at Montgomery.” (Claremont, California) Student Life 90, no. 10
(30 November 1978): 6.
Friedman, K. “On Art Education.” Detroit Artists Monthly, January 1978.
Friedman, K. S., S. Longstreet, and D. W. Steadman. June Wayne: Paintings, Tapestries, Lithographs. Exh. cat. Claremont, California: Montgomery Gallery, Pomona College, 1978.
Ianco-Starrels, J. “Art News.” Los Angeles Times, Calendar, 8 October 1978, 98.
Ianco-Starrels, J. “Art News.” Los Angeles Times, Calendar, 22 October 1978, 106.
Ianco-Starrels, J. “Art News.” Los Angeles Times, Calendar, 4 November 1978, 83.
Isenberg, B. “Litho Revival: Proof of the Art.” Los Angeles Times, Calendar, 1 January 1978, 1, 68–69.
King, P. “An Artist’s Mind Over Matter.” Los Angeles Herald-Examiner, 26 September 1978, B1, B8.
King, P. J. “Stunning Prints Come Into Own.” Los Angeles Herald-Examiner, Style, 1 October 1978, F10.
King, P. J. “Sunday Art.” Los Angeles Herald-Examiner, Style, 10 December 1978, E8.
Lewis, L. “Issues in Printmaking.” Artweek 9, no. 35 (21 October 1978): 1.
Lewis, L. “Where Words and Images Meet.” Artweek 9, no. 14 (8 April 1978): 3.
Loach, R. “Review 3: The Dorothy Series—June Wayne.” Visual Dialog 3, no. 3 (Spring 1978): 32–33.
Morse, P. “Lynton Kistler, the Happy Printer.” Artnews 77, no. 3 (March 1978): 90–93.
Muchnic, S. “Two Shows at Claremont Colleges.” Los Angeles Times, 29 November 1978, 14.
Mullen, S. “Jobs-Careers.” ART$MARKET 1, no. 1 (December 1978): 6, 12.
“October 9 Meeting–What an Event.” Women’s Caucus for Art Newsletter, November 1978.
“Report—1978 Recognition Award Given to June Wayne and Congressman James Corman.” Artist’s Equity Association Newsletter, 5, no. 1, (1978).
“Review.” Collage 2, no. 10 (5 December 1978).
Riggs, T. A. Two Decades of American Printmaking: 1957–1977. Worcester, Massachusetts: Worcester Art Museum, 1978.
Rosen, R. Prints: The Facts and Fun of Collecting. New York: E. P. Dutton, 1978: 68.
Seigel, J. Women Artists News 3, no. 7 (January 1978).
“UCLA Institute Acquires Genetic Code Lithographs.” UCLA Monthly 8, no. 11 (January 1978): 10.
“Visual Artists’ Day: AFEA/AE Joint Meeting.” Los Angeles Arts Watch 1, California Confederation of the Arts, no. 7 (October 1978).
Weisberg, R. “All of the News That Fits the Print.” Visual Dialog 3, no. 3 (Spring 1978): 23–26.
Woo, E. “Discrimination behind the Brush.” Los Angeles Herald -Examiner, Style, 12 March 1978, E1, E9.
1979
Colescott, W. A History of Printmaking. Madison: Madison Art Center, 1979.
Devor, N. A. “June Wayne.” Taxing Times 6 (1979): 38–47.
Fitzgibbons, R. M. “Artists in Residence: Art and Technology on Tamarind Avenue—June Wayne.” American Artist 43, no. 442 (May 1979): 6, 46–49, 100.
Hyams, B. Hirshhorn: Medici from Brooklyn. New York: E. P. Dutton, 1979: 116.
“June Wayne: Paintings, Tapestries, Lithographs at Montgomery Art Galleries.” Craft Horizons 39, no. 3 (April 1979): 68.
Knapston, K. S., Jr. “Tamarind—Yesterday and Today pt. 1.” Graphics (January–February 1979): 23–26.
Krier, B. A. “Once a Daughter Always a Daughter.” Los Angeles Times, View, 11 May 1979, 1, 8.
Larsen, S. C. “The Nation: Los Angeles.” Artnews 78, no. 2 (February 1979): 143–44.
Milant, J. Artists/Prints 1976–77. An Authoritative Bi-Annual Guide to International Contemporary Fine Art Prints, edited by B. Pascal. Los Angeles: Contemporary Art Publications, 1979: 176–82.
Munro, E. Originals: American Women Artists. New York: Simon and Schuster, 1979: 24, 30, 53, 282–88, 311, 511.
Neuman-Baumert, E. “La Vision Cosmique de June Wayne.” Luxembourg, 17 January 1979.
Perlman, B. “Rescuing Women from the Tar Pits.” Scottsdale (Arizona) Daily Progress, Weekend, 19 January 1979, 45–46.
“Prints and Photographs Published: June Wayne” and “Pomona Colleges: June Wayne, Paintings, Tapestries, Lithographs.” Print Collector’s Newsletter 10, no. 1 (March–April 1979): 21, 23.
Schwalb, S. “Coalition Day in Washington.” Women Artists News 4, no. 9 (March 1979): 2.
Smith, C. “Fine Drama for Mother’s Day.” Los Angeles Times, 11 May 1979, 28.
Stowens, S. “June Wayne: The Dorothy Series.” American Artist 43, no. 442 (May 1979): 50–56, 97–100.
1980
Albert, L.S., R. Vaccarino, and M. Wortz. Contemporaries: 17 Artists. Los Angeles: Security Pacific Bank, 1980.
Anderson, I. “One to One . . . A Conversation with June Wayne.” Newsprint–Journal of the Los Angeles Printmaking Society, August/September 1980, 3–5.
Antreasian, G. Z. “Some Thoughts About Printmaking and Print Collaborations.” Art Journal 3, no. 3 (Spring 1980): 180–88.
Art Expo West. Exh. cat. Los Angeles: Los Angeles Convention Center, 1980.
Booth, J., and R. Schnelker. Tamarind Lithographs: A Complete Catalogue of Lithographs Printed at the Tamarind Institute, 1970–1979. Albuquerque: University of New Mexico and Tamarind Institute, 1980: 7, 73, 262–67.
Davis, B. “June Wayne: Stellar Winds.” In “Three Decades of Collecting: Gifts of Anna Bing Arnold.” Los Angeles County Museum of Art Bulletin 26 (1980): 90–93.
Davis, B., and E. Feinblatt. Los Angeles Prints 1883–1980. Exh. cat. Los Angeles: Los Angeles County Museum of Art, 1980.
Eschner, L. Printmaking: Processes/Innovations. Exh. cat. Fullerton, California: Museum of North Orange County, 1980.
Friedman, K. S. “California: An Overview of Its Multi-Faceted Art Scene.” Art Voices/South 3, no. 1 (January/February 1980): 55.
Hines, D. C. “Feminist Collage: Educating Women in the Visual Arts.” American Artist, August 1980, 20–21.
Hines, D. C. “Women and Art–Originals: American Women Artists by Eleanor Munro.” American Artist 44, no. 460 (November 1980): 22, 26.
Johnson, U. E. American Prints and Printmakers. New York: Doubleday, 1980: 98, 167–69, 214.
Jones-Popescu, E. M. American Lithography and Tamarind Lithography Workshop/Tamarind
Institute (1900–1980). Albuquerque: University of New Mexico, 1980.
June Wayne: Before Cosmos. Exh. checklist. Los Angeles: Occidental College, 1980.
Karlstrom, P. J. “West Coast.” Archives of American Art Journal 20, no. 4 (1980): 29.
Larsen, S. “Putting Inspiration on Press.” United Mainliner, February 1980, 6.
Lewis, L. “Los Angeles Seeks an Identity.” Artweek 11, no. 33 (11 October 1980): 1.
Lubbers, L. “Report from the Detroit National Print Symposium.” Print News, June/July 1980, 13.
The Marion Koogler McNay Art Institute Selective Catalogue. San Antonio: Trinity University Press, 1980.
Muchnic, S. “Printmaking Illuminated.” Los Angeles Times, Calendar, 13 January 1980, 91, 94.
Stevens, M., and M. Malone. “Heyday of the Printmaker.” Newsweek, 3 March 1980, 72, 74.
“Traveling Exhibitions, The Western Association of Art Museums: June Wayne, The Dorothy Series. “ Print News 2, no. 6 (December 1980–January 1981): 12–13.
Wilson, W. “Return of L.A. Prints Charming.” Los Angeles Times, Calendar, 10 September 1980, 1.
1981
Aall, I. Impressions: Four Printmakers [J. Wayne, W. Askin, T. S. Fricano, E. P. Kolosvary]. Exh. cat. Downey, California: Downey Museum of Art, 1981.
June Wayne: Dorothy Series. Exh. cat. Oakland: Western Association of Art Museums, 1981.
Knight, C. “In Search of L.A.’s Prints Charming.” Los Angeles Herald-Examiner, 15 July 1981, E7.
Magenta, M. “Feminist Art Criticism: A Political Definition.” Journal of the Theory and Criticism of the Visual Arts, 1981, 89–95.
“News and Notes.” Tamarind Papers, Winter 1981–82, 4–5.
The O’Melveny and Myers Collection. Los Angeles: Castle Press, 1981: 70–71.
Rabellino, E. “Prints Charming.” Los Angeles Times, 14 July 1981, 1, 6.
Reith, S. J. “Women Join the Mainstream” Artweek 12, no. 5 (7 February 1981): 13.
Seventh National Print Exhibition: One Hundred Prints by Twenty Artists. Exh. cat. Los Angeles: Grunwald Center for the Graphic Arts, University of California at Los Angeles, 1981.
Traugott, J. “Lithography Then and Now.” Artweek, 26 December 1981, 3–4.
Weisberg, R. “Consistent Refinement in Printmaking.” Artweek, 12 September 1981, 6.
Woman and Art: An Exhibition of Twenty-two Contemporary American Artists. Exh. cat. Scottsdale, Arizona: Suzanne Brown Gallery, 1981.
Young, J. E. “The Art of the Print: Have We Overlooked Something?” Print Commentary 1, no. 1 (Fall 1981): 16.
1982
Baldwin, N. “Dorothy: A Biography.” Des Moines Sunday Register, 25 July 1982, 5C.
Caplan, L. E., ed. The Business of Art. Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1982: 12.
Cecil, S. “June Wayne.” Artnews 18, no. 5 (May 1982): 170–71.
Driesbach, D., J. Meyer, and J. Castro. The Printmaker and Life on This Planet: An Invitational Exhibition of Twelve American Printmakers. Exh. cat. DeKalb: Northern Illinois University, 1982.
Glueck, G. “Critics Choices: Art.” New York Times, The Guide, 28 February 1982, 3.
Grant, D. “The Moving Legacy of Their Mother’s Lives.” Newsday, 31 January 1982, part 2, 15.
Henderson. “‘My Goal Is to Work,’ Says Artist of Dorothy Series.” Birmingham (Alabama) Post-Herald Kudzu Magazine, 5 November 1982, 7.
“Images of Jewish Women at Jewish Museum.” Antiques & the Arts Quarterly, 22 January 1982, 17.
“June Wayne: The Dorothy Series.” Des Moines Art Center Bulletin, July–August 1982, 4.
Kohn, M. “The Figurative Style of the Sixties: Brice, Lebrun, Warshaw.” LAICA Journal 43 (Fall 1982): 56, 58.
Morris, D. “Reviews of Exhibitions: June Wayne, The Dorothy Series.” Women Artists News 7, no. 5 (March–April 1982): 14–15.
Muchnic, S. “Women in Women’s Perspective.” Los Angeles Times, 27 April 1982, 1, 5.
Nelson, J. R. “Wayne’s Dorothy Prints Poignant, Often Humorous.” Birmingham (Alabama) News, 9 November 1982, D20.
Neuman, J. “TV Preview” Santa Ana (California) Register, 7 August 1982.
The 1981 Annual Report. Washington, D.C.: National Gallery of Art, 1982: 36.
Osterman, G. D. “Impressions of Some WCA Programs.” Women Artists News 7, no. 6 (Summer 1982): 24–25.
Rubinstein, C. American Women Artists from Early Indian Times to the Present. Boston: G. K. Hall, 1982: 215, 247, 341–43, 375.
Smith, D. “Ten Panelists Dish Up a Cultured California.” Los Angeles Times, Calendar, 29 May 1982, 1–2.
Soterieu, A., and P. Smith. Douglass Morse Howell Retrospective. Exh. cat. New York: American Craft Museum, 1982.
Traugott, J. “Lithography Then and Now.” Artspace 6, no. 2 (Spring 1982): 18–19.
Tuchman, M., and M. Blankfort. The Michael and Dorothy Blankfort Collection. Exh. cat. Los Angeles: Los Angeles County Museum of Art, 1982.
Weisberg, R. “June Wayne: A Life’s Full Circle.” Artweek, 1 May 1982, 1, 16.
Willard, J. “Help Wanted: Activists.” Women Artists News 7, no. 6 (Summer 1982): 26.
1983
Adams, C. American Lithographers 1900–1960: The Artists and Their Printers. Albuquerque: University of New Mexico Press, 1983: 173, 181–84, 193–98, 200–203.
“Art Table/West.” Art Wire 1, no. 1 (Fall 1983): 4.
Brodsky, J. K., and O. Garcia. Printed by Women: A National Exhibition of Photographs and Prints. Exh. cat. Philadelphia: Port of History Museum at Penn’s Landing, 1983.
Burkhart, D. “Mini-Shows Give a Whole New Meaning to ‘Paperwork.’” San Jose Mercury, 8 March 1983.
Carroll, P. “A Hollywood Extravaganza 37th Lulu Awards.” Shop Talk, May/June 1983.
Drohojowska, H. “Artist Repays Debt to Mother in Her Exhibit.” Los Angeles Herald-Examiner, 24 August 1983, C1.
Fine Prints and Drawings. Exh. cat. Los Angeles: Tobey C. Moss Gallery, 1983.
Ianco-Starrels, J. “Confab to Cover the Art Market.” Los Angeles Times, Calendar, 6 February 1983, 8.
Jane, A. “Art.” Entertainment Review, 1 April 1983.
“June Wayne to Speak at LAAW September Dinner.” Women in Business Newsletter, September 1983, 21.
Krens, T., and T. O’Connor. Prints, Drawings: A Retrospective Exhibition. Exh. cat. Albany: State University of New York at Albany Art Gallery, 1983.
Larson, K. “Prints for the Present.” New York Magazine, 5 December 1983, 168, 170.
“The Lloyd E. Rigler Collection.” Krannert Art Museum Bulletin 9, no. 1 (1983): 1–2.
Miniature Lithographs: June Wayne, Diane Scherwest Shultz, Irene Dogmatic, David Hatch. Exh. checklist. San Jose: San Jose Institute of Contemporary Art, 1983.
Moran, J. International Printmaking Invitational. Exh. cat. San Bernardino: California State College Art Gallery, 1983.
Moss, T. C. June Wayne before Tamarind. Exh. cat. Los Angeles: Tobey C. Moss Gallery, 1983.
Pincus, R. “Before Tamarind (review).” Los Angeles Times, 8 July 1983, 3–4.
Raven, A. At Home. Exh. cat. Long Beach: Long Beach Museum of Art, 1983: 27.
Scarborough, J. “Melange of Idioms.” Artweek, 19 March 1983, 6.
Sokol, C. “Personal History as Political Art/June Wayne on the Dorothy Series.” Artpapers 7, no. 1 (January 1983): 12–14.
Trangott, J. “Lithographs Offer Warm Tribute.” Albuquerque Journal, 24 April 1983, D2.
Walker, R. “Look Beyond the Familiar.” Artnews 82, no. 6 (Summer 1983): 102.
Welles, E. “Continuing Generations.” Artweek, 9 April 1983, 5.
1984
Adams, C. American Lithography 1900–1960 (Lithography V). Exh. cat. Albuquerque: University of New Mexico Art Museum, 1984.
Armstrong, E. Prints from Tyler Graphics. Minneapolis: Walker Art Center, 1984: 8.
“Catch Desire by the Tail.” Cast Biographies, UBU Repertory Theatre Program, October 1984.
Cognitos: Paintings and Prints. Exh. checklist. New York: Armstrong Gallery, 1984.
“Contact Points.” Contact–Los Angeles Women in Business Newsletter, August 1984, 4.
Davis, B. “Print Workshops at Mid-Century.” Gemini G.E.L.: Art and Collaboration. Washington, D.C.: National Gallery of Art, 1984: 10–11.
A Day Off. Exh. checklist. Los Angeles: Tobey C. Moss Gallery, 1984.
Designers West 31, no. 7 (May 1984): 74.
Drohojowska, H. “Litho of Love.” Modern Maturity 27, no. 1 (February–March 1984): 46.
“Exhibit Honors Pioneering Lithography Workshop.” UCLA Today, 3 December 1984–6 January 1985, 3.
Gedeon, L. Tamarind: From Los Angeles to Albuquerque, Grunwald Center Studies V. Exh. cat. Los Angeles: Grunwald Center for the Graphic Arts, University of California at Los Angeles, 1984.
Geldzahler, H. “California as World Art Capital.” California 9, no. 4 (April 1984): 81.
Goodwin, B. “Ten Distinguished Women Honored.” Los Angeles Times, 4 December 1984, V4.
Hogrefe, J. “Performing Picasso.” Washington Post, 26 October 1984, C3.
Hunter, M. The New Lithography. New York: Van Nostrand, 1984: 1.
Ianco-Starrels, J. “Art News.” Los Angeles Times, Calendar, 4 November 1984, 83.
Ianco-Starrels, J. “Art News.” Los Angeles Times, Calendar, 9 December 1984, 82.
“June Wayne at Armstrong Gallery.” Gallery Guide, October 1984, 59.
“June Wayne.” Women in Business 10th Anniversary Yearbook, 1984.
Juraco, P. “Wayne Discusses Current Work.” Newsprint–Journal of the Los Angeles Printmaking Society, May 1984, 4.
Kainen, J. “American Lithographers 1900–1960, The Artists and Their Printers.” New York Times Book Review, 8 January 1984, 10.
Lauter, E. Women as Mythmakers: Poetry and Visual Art by Twentieth-Century Women. Bloomington: Indiana University Press, 1984: 165–69, 215, 222.
Muchnic, S. “Tamarind Celebration in Lithography Exhibit.” Los Angeles Times, Calendar, 26 December 1984, 1, 10.
Nabokov, D. “Los Angeles 84 L’Autre L.A., Interview with June Wayne.” Paris Vogue,
no. 646 (May 1984): 81.
“On the Aisle with Pablo Picasso.” New York Times, 29 October 1984, B3.
“Patrons Tour June Wayne Studio.” Newsprint–Journal of the Los Angeles Printmaking Society, March 1984.
Pincus, R. L. “The Galleries, Wilshire Center.” Los Angeles Times, Calendar, 14 December 1984, 12, 19.
Raven, A. “Cognitos: June Wayne’s New Paintings.” Arts Magazine 59, no. 2 (October 1984): 119–21.
Rico, D. “Lithographer Leaves Her Imprint on Art Form.” Daily News, L.A. Life, 23 December 1984, 25.
Rubin, D. S. “Seven Women Who Are Artists.” ArtScene, Visual Art Special Edition, Summer 1984, 26–27.
Stein, J. “Women in Business Honors Ten on Its Tenth.” Los Angeles Herald-Examiner, 4 December 1984, part 5, 4.
Wallach, A. “Guggenheim Presents Picasso’s Only Play.” Newsday, 19 October 1984, part 2, 33.
Wallach, A. “Shows by Artists Who Rarely Exhibit.” Newsday, Weekend, 2 November 1984, 23.
Watrous, J. A Century of American Printmaking 1880–1980. Madison: Wisconsin University Press, 1984: 192, 235–41, 246, 249, 305–6.
“West Week 1984.” Pacific Design Center Program, 22–24 March 1984.
Wolff, T. “Prints at the Whitney Museum.” Christian Science Monitor, Arts and Leisure, 24 September 1984, 24.
Women Artists News 10, no. 1 (November 1984): 28.
1985
Adams, C. Fifty Artists: Fifty Printers (Lithography VI). Exh. cat. Albuquerque: University of New Mexico Art Museum, 1985.
Arellanes, R. “Tamarind: Los Angeles to Albuquerque.” Artweek 16 (12 January 1985): 4.
Blecker, R. WIB’s Decade of Women’s Achievement, January 1985, 4.
Castleman, R. American Impressions: Prints Since Pollock. New York: Alfred A. Knopf, 1985: 2–4, 48, 56.
“Collecting Prints: The Buyers Meet the Sellers.” Print Collector’s Newsletter 16, no. 1 (March–April 1985): 5–10.
Contact–Los Angeles Women in Business Newsletter, January 1985.
Conway, R. P. My Palomar and Beyond. Exh. checklist. New York: Associated American Artists, 1985.
Conway, R. P. Tamarind: 25th Anniversary Exhibition. Exh. cat. New York: Associated American Artists, 1985.
Devon, M., C. Adams, J. Wayne, and C. Ratcliff. Tamarind: 25 Years 1960–1985. Exh. cat. Albuquerque: University of New Mexico Art Museum, 1985.
Donohoe, V. “Cosmic Vistas in June Wayne’s Lithographs.” Philadelphia Inquirer, 13 December 1985, E47.
Fine, R. E. “L.A. Prints.” A Bibliophile’s Los Angeles. Los Angeles: Clark Library, University of California at Los Angeles, 1985: 101–86.
Ianco-Starrels, J. “Attack of the Pros.” Los Angeles Times, Calendar, 10 February 1985, 90.
Jones, G. “My Style: June Wayne in Conversation with Gwen Jones.” Los Angeles Herald-Examiner, 14 January 1985, C1, C4.
“June Wayne à Paris.” Nouvelles de l’Estampe 81 (July 1985): 45.
Klein, H. F. “Tamarind at the Crossroads.” Print News 7, nos. 3–4 (July–August 1985): 14–16.
Knight, C. “Lithography Saved from Extinction.” Los Angeles Herald-Examiner, 13 January 1985, E6.
Lewis, L. “June Wayne’s Investigations of Time.” Print News 7, no. 2 (April 1985): 10–12.
Longman, R. “People, Places, Events.” American Artist 49, no. 510 (January 1985): 100.
The Moses Lasky Graphics Collection. Exh. cat. San Francisco: San Francisco Museum of Modern Art, 1985.
Muchnic, S. “A Network of Artists in L.A.” Los Angeles Times, Calendar, 14 February 1985, 1, 9.
Navaretta, C. American Women in Art: Works on Paper. Exh. cat. New York: Midmarch Associates, 1985: 31.
O’Beil, H. “June Wayne.” Arts Magazine 59 (January 1985): 41.
“Printmaker Profile: June Wayne.” Print Collector 5, no. 2 (Fall 1985).
Schipper, M. June Wayne: My Palomar. Exh. cat. Paris: Galerie des Femmes, 1985.
Steinberg, D. “Institute Boss Strives to Improve Visibility.” Albuquerque Journal, 14 July 1985, E1, E10.
Weisberg, R. “June Wayne.” Women’s Caucus for Art: Honor Awards for Outstanding Achievement in the Visual Arts—6th Annual Ceremony. Los Angeles: University of Southern California, February 1985: 9–10, 17–18.
Wolff, T. F. “New Mexico’s Fountainhead of Printmaker’s Art.” Christian Science Monitor, 11 March 1985, 23.
1986
American Prints 1960–1985: In the Collection of the Museum of Modern Art. New York: Museum of Modern Art, 1986: 416–19.
Antreasian, G. “Josef Albers and Ken Tyler at the Tamarind Lithography Workshop, Los Angeles, 1963.” Tamarind Papers 9, no. 1 (Spring 1986): 33–34.
The Artist and the Printer. Exh. cat. Canberra: National Gallery of Australia, 1986.
Gilmour, P. “America and Britain Up to 1960” and “Recent Printmaking.” The Artist and the Printer. Exh. cat. Canberra: National Gallery of Australia, 1986.
Gilmour, P. Ken Tyler, Master Printer and the American Print Renaissance. Canberra: National Gallery of Australia, 1986: 7, 9, 18, 25–29, 31, 34–35, 47.
Hale, D. “Liberating Prefeminist Preconceptions: ‘Courageous’ Show Focuses on Twenty with Spirit.” Fresno Bee, 14 December 1986, E12–E13.
Martin, M. A. “Three Exhibits Show Character, Vision.” Minneapolis Star and Tribune, 26 October 1986, 1G, 8G.
Miller, L. A. “Introduction: June Wayne.” Hue Points 14, no. 1 (Spring 1986): 37–39.
Teller, S. The Discerning Eye. Exh. cat. New York: Associated American Artists, 1986.
Teller, S. Prints by Women: A Survey of Graphic Work by American Women Born before World War II. Exh. cat. New York: Associated American Artists, 1986.
Victor, P. “The Distaff Side of History.” Artweek, 20 December 1986, 6.
Weber, N. F. The Woven and Graphic Work of Anni Albers. Washington, D.C.: Smithsonian Institution, 1986: 27.
“Westweek 1986 Review: Art, Technology and Design.” Designers West 33, no. 7 (May 1986): 36–42.
Women Artists News 11 (Spring 1986): 27.
1987
“‘California Artists’ Exhibit Will Open ’87 Arts Celebration.” Gainesville (Florida) Sun, 27 February 1987.
Collier, B., J. Gedo, and D. Kuspit. The Artist’s Mother: Portraits and Homages. Exh. cat. Washington, D.C.: National Portrait Gallery, 1987.
Curtis, C. “The Art Galleries.” Los Angeles Times, 21 August 1987, 17.
Degener, P. “New York and California Exhibits: Like Comparing Apples and Oranges.” St. Louis Post-Dispatch, 26 April 1987, 4D.
Delatiner, B. “Exploring the Artist-Mother Bond.” New York Times, 8 November 1987, L1, L18.
Glueck, G. “Impact of the Prince of Prints.” New York Times, 11 November 1987, C25.
Hamilton, E. “From an ‘Anonymous’ Printer: A Letter to Ruth Weisberg.” Tamarind Papers 10, no. 2 (Fall 1987): 52–53.
Kelly, M. “The Economic Ground We Stand On.” Business Ethics 1, no. 6 (December 1987): 5.
“Kenna Love’s Visions of LA Artists.” Visions: The Los Angeles Art Quarterly 1, no. 1 (1987): 15.
Raven, A. “The Changing Face of Feminism.” Art Papers 11, no. 5 (September/October 1987): 7.
“The Tamarind Citation, Lynton Kistler.” Tamarind Papers 10, no. 1 (Spring 1987): 43.
10+5 from California. Exh. cat. Gainesville, Florida: Thomas Center Gallery, 1987.
Wohlfert, L. “Club 100 Award Luncheon Gets Practical.” Los Angeles Herald-Examiner, 26 April 1987, E3.
1988
“Atlanta College of Art Honors June Wayne with Honorary Doctorate.” Journal of the Print World 11, no. 3 (Summer 1988): 20.
Barrett, R., P. Gilmour, B. Kester, and A. Raven. June Wayne: The Djuna Set. Exh. cat. Fresno: Fresno Art Museum, 1988.
Carroll, A. “Review: Lasting Impressions.” Art Monthly, July 1988, 15–16.
Conway, R., and R. Weisberg. June Wayne: Lithographs from the Djuna Set, 1950–1988, A Thematic Retrospective. Exh. cat. New York: Associated American Artists, 1988.
Cummings, P. Dictionary of Contemporary American Artists, 5th ed. New York: St. Martin’s Press, 1988: 653–54.
Dubin, Z. “Locals Seek Exemption to New Tax Law.” Los Angeles Times, Calendar, 6 March 1988, 87.
Feinstein, R. American Print Renaissance, 1958–1988. Exh. cat. Stamford, Connecticut: Whitney Museum of American Art, 1988.
Gilmour, P., ed. Lasting Impressions: Lithography as Art. Exh. cat. Canberra: National Gallery of Australia; Philadelphia: University of Pennsylvania Press, 1988: 35, 256–57, 264–67, 343–47.
Hale, D. “The Art of Wayne.” Fresno Bee, 8 May 1988, F1, F10–F11, F20.
Hale, D. “Wayne Will ‘Track the Galaxies’ during Lecture.” Fresno Bee, Home Edition, 4 April 1988, F14.
Hook, S. “The Hero in Society.” World and I, 1988, 612, 618.
The Marion Koogler McNay Art Institute Selective Catalog. San Antonio: Trinity Press, 1988: 256.
Michaelson, J. “Artists Mount a Counterattack Against Tax Changes.” Los Angeles Times, Calendar, 29 March 1988, 1, 6, 8.
Michaelson, J. “The Boston Tea Party of the Arts.” Los Angeles Times, Calendar, 29 March 1988, 1.
Ramljak, S. “Review: June Wayne—Associated American Artists.” Artnews 87, no. 7 (September 1988): 170.
Raven, A. “Cognitos: June Wayne’s New Paintings.” Crossing Over: Feminism and the Art of Social Concern. Ann Arbor: University of Michigan Research Press, 1988: 63–69.
Raven, A. “June Wayne: Associated American Artists.” Women Artists News 13, no. 2 (Summer 1988): 33–34.
Raven, A., C. Langer, and J. Frueh. Feminist Art Criticism, An Anthology. Ann Arbor: University of Michigan Press, 1988: 230, 233, 237.
Tabacco, W. “National Print Symposium.” IMPRINT, The Journal on Australian Printmaking, December 1988, 11.
Tufts, E., and L. Tuttle. American Herstory: Women and the United States Constitution. Exh. cat. Atlanta: Atlanta College of Art, 1988.
Victor, P. “Conjunctions of Science and Art.” Artweek 19, no. 22 (4 June 1988): 5.
1989
Armstrong, E. First Impressions: Early Prints by Forty-six Contemporary Artists. Minneapolis: Walker Art Center, 1989.
“Art Advocate: Excerpts.” Artwire 6, no. 2 (Spring 1989): 1, 10.
Baldinger, J. A. “Exploring the Creative Mind: A Conversation with Sheila Tepper.” Performing Arts, January 1989, 32.
Bennie, A. “Time Traveller in Two Dimensions.” (Sydney) Australian, 29 March 1989, 46.
Bernbaum, M. “LAPS 25th Anniversary Party and Tribute to Connor Everts.” Newsprint–Journal of the Los Angeles Printmaking Society, April 1989, 14.
Braft, P. “Different Paths: Vision and Emotion.” New York Times, 2 July 1989, 12.
Brown, B. A., and A. Raven. Exposures: Women and Their Art. Pasadena: New Sage Press, 1989: 18–19.
Conway, R. P. Modern American and European Prints: Fifty-fifth Anniversary Exhibition. Exh. cat. New York: Associated American Artists, 1989.
The Djuna Set [Paintings, Collages, Prints]. Exh. checklist. East Hampton, New York: Benton Gallery, 1989.
Gilmour, P. June Wayne. Exh. cat. Sydney: Macquarie Galleries, 1989.
Gilmour, P. “June Wayne’s Visit to Australia.” Gallery–Monthly Magazine of the National Gallery Society of Victoria, March 1989, 10–11.
Green, J. “A Leader in Prints Gives the West a Show.” Melbourne Times, 26 April 1989, 16.
Hale, K. J. Guest Artists in Printmaking. Exh. cat. Austin: Archer M. Huntington Gallery, University of Texas at Austin, 1989.
Kavanaugh, J. “Artist Has A Passion for Prints.” Business Review Weekly, 24 March 1989.
Litson, J. “Outlook Art.” Vogue Australia 33 (March 1989): 49.
Moore, S., ed. “Leading Ladies.” Yesterday and Tomorrow: California Women Artists. New York: Midmarch Arts Press, 1989: 156–59.
Murdoch, A. “Printmaking. Putting Art on a Cosmic Plane.” (Melbourne) Age, ExtraArts, 22 April 1989, 12.
Romney, J. “Art with Timeless Appeal. Top American Lithographer June Wayne Is in Australia.” Sydney Morning Herald Thursday Magazine, 13 April 1989, 12.
Sakane, I. Kagaku Asahi: Monthly Journal of Science 49, no. 7 (July 1989): 70–73.
Shaw, C. American Tapestry Weaving since the 1930s and Its European Roots. Exh. cat. College Park: University of Maryland Art Gallery, 1989.
Slivka, R. C. S. “From the Studio.” East Hampton (New York) Star, 24 June 1989.
Tamarind Lithography Workshop Inc., Catalogue Raisonné 1960–1970. Albuquerque: University of New Mexico Art Museum, 1989: 262–67.
Watson, B. “New Spectacles Send Wayne into Space.” Sydney Morning Herald, 25 March 1989, 43.
Weisberg, R. “Review: June Wayne—The Djuna Set.” Tamarind Papers 12 (1989): 76–78.
1990
Book review, Print Collector’s Newsletter 21, no. 3 (August 1990): 117.
Brown, B. A. “Hope for the 90s.” Artweek (8 February 1990): 22.
“College Art Association Takes an Activist Stance.” AEA: Los Angeles Artist Equity Newsletter, 1990, 1, 5.
“Convocation Ceremony at the Metropolitan Museum of Art.” CAA News 15, no. 2 (March/April 1990): 3–5.
Karlstrom, P., and S. Ehrlich. Turning the Tide: Early Los Angeles Modernists 1920–1956. Exh. cat. Santa Barbara: Santa Barbara Museum of Art, 1990.
Knight, C. “June Wayne, A Famed Artist Draws the Line for the Arts Endowment. ‘It’s Time to be Counted.’” Los Angeles Times, 1 July 1990, M3.
Langsner, J. “June Wayne: Imagist.” In Arts & Architecture: The Entenza Years, ed. B. Goldstein, 194–95. Cambridge, Massachusetts: MIT Press, 1990.
McKenna, Kristine. “June’s Mouse.” Los Angeles Times, 25 December 1990, F8.
Muchnic, S. “College Art Assn. Turns to Social Issues.” Los Angeles Times, 14 February 1990, F7.
Muchnic, S. “College Arts Meeting Signals New Awareness.” Los Angeles Times, 19 February 1990, F1, F6.
Nixon, B. “Footnote to an Era.” Artweek, 22 November 1990, 20.
“On Ethics and Sound Bytes.” UCLA Magazine 2, no. 2 (Fall 1990), 5–6.
Plagens, P. Functionists High. Exh. cat. Los Angeles: American Gallery, 1990.
“Tamarind Institute Plans National Printmaking Symposium.” Journal of the Print World, Spring 1990.
Weisberg, R. “June Wayne’s Quantum Aesthetics.” Woman’s Art Journal 11, no. 1 (Spring/Summer 1990): 3–8.
1991
Artwire 8, no. 1 (Fall/Winter 1991–92): 11.
California Window. Exh. cat. Nagoya, Japan: Memory’s Gallery, 1991.
Colker, D. “In Love with Lithography.” Los Angeles Times, Calendar, 28 July 1991, 90, 92.
Collaborations: Word and Image. Exh. cat. Oxford, Ohio: Miami University Art Museum, 1991.
Geer, S. “Moses Expresses Emotional Force.” Los Angeles Times, 4 July 1991, F4.
Lamana, M. “Art from Stone.” Motorland Magazine. California State Auto Association, 1991.
Muchnic, S. “Art Congress Selects Santa Monica.” Los Angeles Times, 6 July 1991, F4.
Muchnic, S. “World Critics to Gather in L.A.” Los Angeles Times, 9 October 1991, F4.
Rose, Barbara. “ArtTable 10th Anniversary Awards.” ArtTable Publication, 9 November 1991.
Smith, Selma, ed. 1991 Printworld Directory of Contemporary Prints and Prices. West Chester, Pennsylvania: Printworld, 1991: 936–38.
Weiler, J. F. “Tamarind at Thirty.” Journal of the Print World, Spring 1991, 20.
Woimant, F., and M.-C. Miessner. “Les enrichissements 1990 de la Bibliothèque Nationale: L’estampe étrangères.” Nouvelles de l’Estampe 116 (May–June 1991): 20, 26.
Young, C. M. Modern American Prints. Exh. cat. New York: Associated American Artists, 1991.
1992
Gilmour, P. “A Love Affair with Lithography: The Prints of June Wayne.” Print Quarterly 9, no. 2 (June 1992): 142–76.
“Highlights of the Week. March 8–14.” Los Angeles Times, Calendar, 8 March 1992, 2.
June Wayne: The Djuna Set. Exh. checklist. Claremont, California: Montgomery Gallery, Pomona College, 1992.
Nagano, T. K. “The Right of Assemblage.” Los Angeles Downtown News, 5 October 1992.
Robison, A., and R. Fine. Dürer to Diebenkorn: Recent Acquisitions of Art on Paper. Exh. cat. Washington, D.C.: National Gallery of Art, 1992.
Seigel, J., ed. Mutiny and the Mainstream: Talk That Changed Art, 1975–1990. New York: Midmarch Arts Press, 1992: 56–59, 108, 206, 238–40, 309–10.
Tromble, M. “A Conversation with Charles Gill.” ArtWeek, 5 November 1992, 21–22.
Vincent, S. “Artists’ Royalties on the Way?” Art and Auction, May 1992, 24.
Warner, C., ed. The Last Word: A Treasury of Women’s Quotes. Englewood Cliffs, New Jersey: Prentice Hall, 1992: 7, 33, 131.
Wilson, W. “‘Gemini at 25’: Celebrating a Child of ’60s.” Los Angeles Times, 25 September 1992, F26–F27.
Woimant, F., M.-C. Miessner, and A. Moeglin-Delcroix. De Bonnard à Baselitz: Dix ans d’enrichements du Cabinet des Estampes 1978–1988. Exh. cat. Paris: Bibliothèque nationale de France, 1992: 428.
1993
Advocate & Greenwich Time (Connecticut), Weekend Section, 17 September 1993, 8.
Anderson, I. “Multiplicity—Three Los Angeles Presses: Tamarind Lithography Workshop, Self-Help Graphics and Freeman Editions.” Artweek, 18 February 1993, 12–13.
Elan, S. “Taking Risks at the Neuberger Museum.” Westchester County Weekly (New York) and Fairfield County Weekly (Connecticut), 2 December 1993, 10.
Great Beginnings: Tamarind Lithography Workshop—The LA Years 1960s–1970s. Exh. cat. Los Angeles: Tobey C. Moss Gallery, 1993.
Hale, D. “Reflections on a Woman’s Life and Times.” Fresno Bee, 4 July 1993, 12.
National Gallery of Art 1992 Annual Report. Washington, D.C.: National Gallery of Art, 1993: 31.
Wasserman, K. Book as Art VI. Exh. cat. Washington, D.C.: National Museum of Women in the Arts, 1993.
1994
Alameda Lewis, H., J. Ianco-Starrels, and S. Lewis. Generation of Mentors. Exh. cat. Washington, D.C.: National Museum of Women in the Arts, 1994.
Broude, N., and M. D. Garrard, eds. The Power of Feminist Art. New York: Harry N. Abrams, 1994: 74, 91, 93, 113, 116, 137, 194.
Catterall, L. “False Colors: The Art of Print Fraud.” Personal Property Journal, Winter 1994, 25, 28.
Gouveia, G. “Lim’s Works Transport Viewer to Another Plane.” Gannett Surburban Newspapers, Lively Arts, 31 October 1994, 6J.
Greenstein, M. A. “Entering the Professional Art Market Without an MFA.” Artweek, 5 May 1994, 17.
Kirker, A. “Always the Artist’s Advocate.” Imprint: The Journal of Contemporary Australian Printmaking 29, no. 2 (Winter 1994): 1–4.
“Printmaking Advocate to Be in Residence.” (Madison) Wisconson Week, 19 October 1994, 17.
Sayre, H. M. A World of Art. Englewood Cliffs, New Jersey: Prentice Hall, 1994: 216.
1995
Adding It Up: Print Acquisitions 1970–1995. Exh. checklist. New York: Museum of Modern Art, 1995.
“Artist to Speak on Future.” Fresno Bee, 6 February 1995.
Beneke, D. L. Fifteen Profiles: Distinguished California Modernists. Exh. cat. Fresno: Fresno Art Museum, 1995.
Brown, B. A. Muses. Pasadena: Armory Center for the Arts, 1995: 9, 12.
Frank, P. “Social Engagements, Generation of Mentors.” LA Weekly, Art Picks of the Week, 31 March–6 April 1995, 116.
Goldman, J. “American Publishing Workshops: A New Kind of Printed Art.” Contemporary Master Prints from the Lilja Collection. London: Lilja Art Fund Foundation and Azimuth Editions, 1995: 31–32.
Hale, D. “Artist Will Take Town Hall to the Future.” Fresno Bee, 12 February 1995.
Hale, D. “Wayne Fears Congress Will End National Arts and Humanities Groups.” Fresno Bee, 16 February 1995, B4.
Hansen, T. V., D. Mickenberg, J. Moser, and B. Walker. Printmaking in America: Collaborative Prints and Presses 1960–1990. Exh. cat. New York: Harry N. Abrams, 1995: 28, 37, 40–41, 77, 96–100, 102, 106.
June Wayne: One Printmaker to Another. Exh. checklist. Knoxville: Knoxville Museum of Art, 1995.
Krause, M. Garo Antreasian: Written on Stone. Indianapolis: Indianapolis Museum of Art, 1995: 3, 5–8, 55–58, 61, 97.
Lewis, L. “June Wayne’s Future Shock.” Contemporary Impressions 3, no. 1 (Spring 1995): 2–5.
Tamarind: Into the Nineties. Exh. cat. Greensboro: Weatherspoon Art Gallery, University of North Carolina at Greensboro, 1995.
Turner, N. K. “Generation of Mentors.” ArtScene 14, no. 5 (January 1995): 9–10.
1996
Athey, R. “Talking (Shaved) Heads.” LA Weekly, 18–24 October 1996, 63–64.
Forward (New York), 21 January 1996, 10.
Gilmour, P. “Printmaking in America.” Print Quarterly 13, no. 3 (1996): 36–37, 334.
“June Wayne.” Art in America, Museum Preview, 1996–97, 29.
Knight, C. “More Famine Than Feast.” Los Angeles Times, Calendar, Art Review, 2 May 1996, F1, F11.
Nava, Y. “Art Dissects the Immigrant Experience.” Los Angeles Second Front, 11 July 1996, 3, 16.
“Panel of Artists, Critics Clash at Club 100 Event.” (Santa Monica) Outlook, Life/Arts, 1 May 1996, D2.
Pfefferman, N. “Cultural Convergence.” Jewish Journal, 28 June–4 July 1996, 11, 31.
Reed, M. “‘Becoming American Women’ and ‘Converging Cultures’ at Skirball Cultural Center,” Artweek 27, no. 9 (September 1996): 23–24.
Richman, P., S. Kaufman, T. Page, P. Richard, and R. Kempley. “Here & Now.” Washington Post, 19 May 1996, G.03.
Wilson, W. “Personal Stories Converge in ‘Cultures.’” Los Angeles Times, 10 July 1996, F4.
1997
Adams, C. “East Coast, West Coast: Tamarind Lithography Workshop and the American Print Establishment.” Print Quarterly 14, no. 3 (September 1997): 252–83.
Adams, C. “An Informed Energy: Lithography and Tamarind.” Grapheion 1 (1997): 21–27.
Art Scene 16, no. 8 (April 1997): 47.
Askey, R. “L.A. Women, Art of the Future.” Women Artists Newsletter, 3, no. 1 (May 1997).
Bischoff, D. “It’s All in the Fine Print: Multiple Images Define Art and Life.” (Newark) Star-Ledger, 20 July 1997, 1, 4.
Brown, M. “Looking at Prints: June Wayne; the Founder of Tamarind Talks about the History and Future of Lithography.” Southwest Art 27, no. 6 (November 1997): 26, 28, 30.
Crossing the Threshold. Exh. cat. New York: Steinbaum Krauss Gallery, 1997.
“Drawing on the Rocks: Two Hundred Years of Lithography.” At the Museum, Los Angeles County Museum of Art, September 1997, 2–3.
Gilmour, P. Dictionary of Women Artists. Chicago: Fitzroy Dearborn Publishers, 1997: 1431–34.
Gilmour, P. “Truth & ‘The Freedom To Lie’: Warrington Colescott Satirizes Lithography.” Grapheion 1, no. 1 (May 1997): 74–79.
Glueck, G. “An Unconventional Publisher with an Appetite for the Comic and Quirky.” New York Times, 28 March 1997, C24.
Glueck, G. “Woman of Many Themes and Styles.” New York Times, Art Review, 16 May 1997, B22.
Hoffberg, J. A. “June Wayne: A Retrospective.” Umbrella 20, nos. 3/4 (October 1997): 99.
“June Wayne Exhibit Headlines at Neuberger.” Scarsdale (New York) Enquirer, 18 April 1997, 12.
Lombardi, D. D. “June Wayne, Neuberger Museum of Art.” Artnews 96, no. 9 (October 1997): 172.
Melrod, G. “The Fame Game.” Art & Antiques 20, no. 7 (Summer 1997), 72–79.
“Museum Recognizes Artist.” Advocate & Greenwich Time (Connecticut), 11 May 1997, D2.
Raven, A. June Wayne: A Retrospective. Exh. cat. Purchase: Neuberger Museum of Art, Purchase College, State University of New York, 1997.
Raynor, V. “A Printmaker’s Show with Tapestries.” New York Times, Art, 8 June 1997, 20.
Sayre, H. M. A World of Art, 2nd ed. Upper Saddle River, New Jersey: Prentice Hall, 1997: 212, 214–15.
Sidey, T. Prints in Focus, Part II—Whistler to Hockney and Beyond. Exh. cat. Birmingham, England: Birmingham Museums and Art Gallery, 1997.
Smith, G. “Datebook.” New York Times, 6 April 1997, 34.
Southern Graphics Council Twenty-fifth Printmaking Emeritus Exhibition. Exh. cat. Tampa: University of South Florida, 1997.
Temin, C. “Traditional Printing, Contemporary Images.” Boston Globe, 13 August 1997, D1.
Wilson, W. “Century-Old Lithographs Seem Forever Young.” Los Angeles Times, 7 July 1997, F4.
Wilson, W. “Prints in ‘Changing Media’ Take an Introspective Turn.” Los Angeles Times, Art Review, 19 February 1997, F3, F8.
Woodard, J. “ ‘Quarks to Quasars’ at Century Gallery.” Artweek, June 1997, 23–24.
Woodard, J. “The Sky’s the Limit.” Los Angeles Times, Sights, Special to the Times, 24 April 1997, F40.
1998
Allan, L. “The Future of Printmaking.” Artweek, September 1998, 12–13.
Brodsky, J. K. “June Wayne’s Whoopers.” Journal of the Mid America Print Council 6, no. 1 (1998): 8–9.
Brown, B. A. “June Wayne.” Artscene, November 1998, 15–16.
“East Coast vs West Coast.” GAC Newsletter, October 1998, 5.
Frank, P. “Learning Pick of the Week: Women Artists of the 60’s.” LA Weekly, 13–19 March 1998, 146.
Gilmour, P. “From Pre-Pop to Postmodern.” Print Quarterly 15, no. 3 (September 1998): 333–37.
Goodale, G. “Printmaking Pioneer Does It Her Way.” Christian Science Monitor, 31 December 1998, 17.
Gottleib, Shirle. “109-Piece Salute.” Long Beach Press-Telegram, 2 December 1998, E1.
Heimarck, C. “June Wayne: A Retrospective.” Women Artists News 23 (1998): 19–20.
Hernandez, J. F. Misch Kohn: Beyond the Tradition. Monterey, California: Monterey Museum of Art, 1998: 81.
Isenberg, B. “Reading Beyond the Fine Prints.” Los Angeles Times, Calendar, 8 November 1998, 88, 90–91.
Johnson, R. “Artistic Maverick.” Los Angeles Daily News, 25 December 1998.
Johnson, R. “Going Her Own Way: Artist’s Path Crossing with LACMA.” Daily News, L.A. Life, 18 November 1998, 8–9.
“July 13, Artist June Wayne lectures . . .” Artweek, Calendar, July/August 1998, 38.
“June Wayne: A Retrospective.” At the Museum: Los Angeles County Museum of Art, November 1998, 2–3.
“June Wayne: A Retrospective.” Long Beach Press-Telegram, 18 November 1998, E1.
“June Wayne: A Retrospective.” Long Beach Press-Telegram, 7 December 1998, C1.
“June Wayne: A Retrospective.” Los Angeles Sentinel, 13 August 1998.
“June Wayne: A Retrospective.” Los Angeles Times, The Season’s Best Bets, 10 September 1998.
“LA’s Top 10 List: The Coolest Things to Do in November.” Los Angeles, November 1998.
McKenna, K. “‘Artemisia’: Artistic License with an Artist.” Los Angeles Times, 27 May 1998, F1, F10.
Modernism in California Printmaking 1940–1965. Exh. cat. Santa Rosa, California: Annex Galleries, 1998.
Moure, N. D. W. California Art: 450 Years of Painting & Other Media. Los Angeles: Dustin Publications, 1998: 366–367, 551.
“The National Art Scene: A Quarterly Calendar.” New York Times, 16 October 1998.
Noronha, J. de Sousa. La Mémoire Lithographique, 200 ans d’images. Exh. cat. Paris: Art & Métiers du Livre, 1998.
Scheer, R. “Our Times (Santa Monica).” Los Angeles Times, 22 November 1998.
“Today’s Living Best Bets.” Los Angeles Times, 29 November 1998.
Wilson, W. “June Wayne Exhibition Captures Her Inventive, Influential Spirit.” Los Angeles Times, 1 December 1998, F4.
Wyszpolski, B. “Leaving Her Prints in the Sands of Time.” (Hermosa Beach, California) Easy Reader, 12 November 1998, 31, 33.
1999
Belloli, J. Radical Past: Contemporary Art and Music in Pasadena, 1960–1974. Exh. cat. Pasadena: Armory Center for the Arts and Art Center College of Design, 1999.
Frank, P. “June Wayne: A Retrospective.” LA Weekly, Art Pick of the Week, 15–21 January 1999, 136.
Grishin, S. “Historically Significant Showing for June Wayne.” Canberra Times, Panorama, 30 January 1999, 20.
Knaff, D. L. “The Fine Print.” Riverside (California) Press-Enterprise, 3 January 1999, F20.
Konau, Britta. “June Wayne: The Dorothy Series.” Women in the Arts, Summer 1999.
Martin, V. “June Wayne at LACMA.” Artweek 30, no. 1 (January 1999): 21–22.
Simpson, Pamela H. “June Wayne: A Retrospective.” Woman’s Art Journal 20, no. 2 (Fall 1999–Winter 2000): 42, 59–62.
Wettengel, K. “June Wayne.” Brntwd, The Arts, Winter 1999, 26, 28.
Wyszpolski, B. “Skeletons and Masquerades.” (Hermosa Beach, California) Easy Reader, 18 November 1999, 49.
2000
Barron, S., S. Bernstein, and I. S. Fort. Made in California: Art, Image, and Identity, 1900–2000. Exh. cat. Los Angeles: Los Angeles County Museum of Art; Berkeley: University of California Press, 2000.
Devon, M., ed. Tamarind: Forty Years. Albuquerque: University of New Mexico Press, 2000: 1–4.
Glueck, G. “The Likeness of Being: Contemporary Self-Portraits by Sixty Women.” New York Times, 21 January 2000, B40.
Goodale, G. “Mega Mural Sees Light of Day.” Christian Science Monitor, 15 September 2000, 19.
Kimmelman, M. “A Lifetime of Well-Chosen Words and Quirky Materials.” New York Times, 7 July 2000, E29.
Maese, K. “Of Color and Light.” Los Angeles Downtown News, 11 September 2000, 1, 6.
Meyers, Laura. “The Feminine Mystique: Powerful Women in the Arts.” Art Business News 27, no. 10 (October 2000).
Munro, E. Originals: American Women Artists. New York: da Capo Press, 2000: 282–88; previously published by Simon and Schuster, 1979: 24, 30, 53, 282–88, 311, 511.
Potts, L. “Prints Valiant.” Albuquerque Tribune, 8 September 2000, C3.
Pulin, C. “Tamarind: 40 Years.” Contemporary Impressions: The Journal of the American Print Alliance 8, no. 2 (Fall 2000).
Stein, J. E. The Likeness of Being: Contemporary Self Portraits by Sixty Women. Exh. cat. New York: D. C. Moore Gallery, 2000.
Tyler, L. “Tamarind Testimony: Lithography’s Champion Finally Gets Its Due.” Albuquerque: UNM Alumni Magazine, Fall 2000, 14.
Wyszpolski, B. “Paradise Regained: When the L.A. Art World Comes to the Rescue . . .” (Hermosa Beach, California) Easy Reader, 20 July 2000, 32, 35–37.
Zlatnik, G. From Hayter to Pettibon: American Workshop Prints. Exh. cat. Iowa City: University of Iowa Museum of Art, 2000.
2001
Arbury, S., A. F. Jones, and D. Mercer. Inside and Out: An Artist Collects: Selections from the Private Collection of Dorothy Gillespie. Exh. cat. Maitland, Florida: Maitland Art Center; Radford, Virginia: Radford University Art Museum, 2001.
Belloli, J., ed. The Universe: A Convergence of Art, Music, and Science. Pasadena: Armory Center for the Arts, 2001: 59.
Creation, Constellations, and the Cosmos. Exh. cat. Pasadena: Norton Simon Museum, 2001.
“Creation, Constellations, and the Cosmos, A Private Walk-Through.” GAC News 1, no. 3 (2001).
Frank, P. “From Paris to Pasadena.” LA Weekly, Art Pick of the Week, 5–11 January 2001, 116.
Hansen, T. V. “Pulp and Possibilities: A Brief Look at Contemporary Paper Art.” In Rags to Riches, 25 Years of Paper Art from Dieu Donné Papermill, ed. M. Takahashi. New York: Dieu Donné Papermill, Inc., 2001.
Noronha, J. de Sousa. “Et voilà, madame l’americaine: June Wayne, un portrait.” Nouvelles de l’Estampe, no. 175 (March–April 2001): 51–56.
Slivka, R. C. S. “From the Studio.” East Hampton (New York) Star, 22 March 2001.
2002
Agajanian-Quinn, J. ARTtalk, November 2002, 23.
Agajanian-Quinn, J. “Focal Point: Around and About with Joan Agajanian-Quinn.” New York Master Planner, October 2002–September 2003, 32.
“Artist June Wayne Donates Art Collection Valued at $5.47 Million to Support Rutgers Center for Innovative Print and Paper.” News & Media, rutgers.edu, 24 September 2002.
“California Artist Donates Largest Gift in School’s History.” Rutgers University: Mason Gross School of the Arts Newsletter, Fall 2002, 7.
“Committee on Women in the Arts Names Award Recipients.” CAA News 27, no. 6 (November 2002): 23.
“Holiday Party December 16, 2002.” News of the Trusteeship, 2002, 5.
Johnson, K. “Clinton Adams, 83, a Painter Who Helped Resurrect Lithography.” New York Times, 2 June 2002, 42.
“June Wayne Papers.” UCLA Librarian 54, no. 1 (Summer/Fall 2002): 5.
Kitaj, K. Women Who Could and Did: Lives of Twenty-six Exemplary Artists and Scientists. Chestnut Hill, Massachusetts: Huckle Hill Press, 2002: 51, 60, 104–5, 107, 165, 235, 238, 272.
Lanman, S., and A. Vames. “Gifted Artists.” Rutgers Focus, 4 November 2002.
Margulies, L. “Famed Printmaker Gives Art to Rutgers.” Los Angeles Times, 2 October 2002, F2.
Noronha, J. de Sousa. L’Estampe: objet rare. Athens: Editions Alternatives, 2002: 41, 52, 89, 94, 171.
“Rutgers Is New Home to Renowned Print Collection.” Bridges to the Future (Rutgers University Foundation Annual Report, 2001–2), 2002, 8–9.
2003
Allen, L. “June Wayne and Rutgers Center for Innovative Print and Paper.” Graphic Impressions (Southern Graphics Council Newsletter), Winter/Spring 2003, 2–3, 8.
Calendar Weekend. Los Angeles Times, 6 March 2003, E61–E62.
Chandler, M. V. “Tamarind Leaves Art Imprint.” Rocky Mountain News (Denver), 4 July 2003, 19D.
“Conversation with the Curators.” San Diego Museum of Art, 9 April 2003.
Deepwell, K. “Musing on Myths.” Paletten 64, nos. 3–4 (2003): 48–51.
Genocchio, B. “Enchanted by Sea, Sky and Clouds.” New York Times, New Jersey edition, 30 March 2003, 11.
June Wayne: Selected Graphics 1950–2000. Exh. checklist. New Brunswick, New Jersey: Zimmerli Art Museum, Rutgers University, 2003.
“June Wayne: Selected Graphics 1950–2000.” Jane Voorhees Zimmerli Art Museum Newsletter, Winter 2003, 4–5.
“The Magician and the Mechanic: Tamarind Lithography Workshop, The Early Years.” San Diego Museum of Art Quarterly 4, no. 1 (January–March 2003): 3, 8.
Periz, I. “June Wayne: Selected Graphics.” Artnews 102, no. 6 (June 2003): 125.
Plett, N. “June Wayne’s Futurist Way.” U.S. 1 (Princeton), 26 February 2003, 34.
“This Space Reserved for June Wayne.” Rutgers Magazine 83, no. 1 (Spring 2003): 30–33.
“Zimmerli Exhibition Honors Wayne.” Mason Gross School of the Arts Newsletter, Spring 2003, 6.
2004
Brodsky, J. “On the Occasion of Receiving the 2004 Southern Graphics Council “‘Printmaker Emeritus Award.’” Graphic Impressions, Summer 2004, 1, 3.
“Conference Reports.” Graphic Impressions, Summer 2004, 10–11.
Hosford, M. “Conference Report I.” Graphic Impressions, Summer 2004, 10.
Klein, H. “What Is Wrong with These People?” Graphic Impressions, Fall 2004, 7.
Maher, J. “Conference Report III.” Graphic Impressions, Summer 2004, 11.
Manna, M. “Entertainment.” San Diego Union-Tribune, 26 February 2004, NC1.
“SGC to Host Print Conference.” CAA News, January 2004, 17.
“[3D] Diversity, Discourse, Dimension: 2004 Southern Graphics Council International Conference.” Graphic Impressions, Summer 2004, 8–9.
2005
Artner, A. “Women Artists Shine at Block.” Chicago Tribune, 3 November 2005, 3.
Bischoff, D. “Feminist Postmodernism.” Star-Ledger (Newark), 23 December 2005, 33.
“Eighty Years and Still Going Strong.” Artline, Summer 2005, 1.
The First 80 Years. Exh. cat. Los Angeles: Los Angeles Art Association/Gallery 825, 2005.
Gilmour, P. “Setting Up Departments – II: Prints at the National Gallery of Australia.” Print Quarterly 22, no. 3 (September 2005), 310–11.
Granieri, L. “Postmodern Women Come to Rutgers.” Home News Tribune (New Brunswick, New Jersey), 15 December 2005, E5.
Kalonick, J. “How Women Invented Postmodernism.” TimeOFF, 23 December 2005, 5.
Landau, D. “Correction.” Print Quarterly 22, no. 4 (December 2005), 462.
Los Angeles Printmaking Society Eighteenth National Print Exhibition. Exh. cat. Pasadena: Armory Center for the Arts, 2005.
Mitchner, S. “Women Artists: Up to, Including, and Exceeding Their Limits.” Town Topics, 21 December 2005, 11.
Poskovic, E. “LAPS National Print Biennial.” Interleaf, Fall 2005, 1, 3.
Powers, A. “Birmingham Museum and Art Gallery.” Art Quarterly (Autumn 2005): 32.
“Rutgers Displays Feminist Art at the Mason Gross Galleries.” Rutgers Focus, 12 December 2005, 8.
Seaton, E. Paths to the Press: Printmaking and American Women Artists, 1910–1960. Exh. cat. Manhattan: Beach Museum of Art, Kansas State University, 2005: 18, 65, 76–77, 244–45, 254.
Westerman, Donna. “A Conversation with June Wayne.” Interleaf, Fall 2005, 3.
2006
Annoucement of June Wayne: A Catalogue Raisonne. Rutgers University Press catalog, Spring/Summer 2006, 26.
Eighteen Profiles: Distinguished Women Artists of California. Exh. cat. Fresno: Fresno Art Museum, 2006.
Genocchio, B. “Maybe Not the First Postmodernists, But Who’s Counting?” New York Times, New Jersey edition, 8 January 2006, 9.
Isenberg, B. “Princes of Prints.” Los Angeles Times, 14 May 2006, E27, E36–E37.
Julie Thecla: Undiscovered Worlds, DePaul University Art Museum, 2006, 8, 12.
Melrod, G. “Wayne’s World.” Lifescapes, May 2006, 20–22.
Seaton, E. G., ed. Paths to the Press: Printmaking and American Women Artists, 1910 – 1960, Marianna Kistler Beach Museum of Art, Kansas State University, Manhattan, 2006, 18, 65, 76-77, 244-45, 254. (exhibition catalogue)
Three Humanscapes: Visions from the West Coast: Judy Dater, Kumiko Shindo, June Wayne. Exh. cat. Tokyo: Tama Art University Museum, 2006.
California Society of Printmakers, an Update, Roberta Loach
2007
Dickinson, Eleanor. “Report on the History of the Women’s Caucus for Art.” Blaze: Discourse on Art, Women and Feminism. Frostig, Karen and Halamka, Kathy A., Editors. Newcastle, UK: Cambridge Scholars Publishing, 2007.
Epstein, Johanna Ruth. “June Wayne, National Association of Women Artists.” ARTnews, October 2007.
Lion, Lea. “Reflections of a Feminist: June Wayne Ponders MOCA’s ‘WACK!’ Exhibit.” Los Angeles Downtown News, July 9, 2007, 19.
Perras Running Waters, Kriss. “June Wayne’s Art Featured in Track 16 Exhibition for SMMUSD Schools.” Malibu Arts Reviews Magazine, October 2007.
Seckel, Cornelia. “Culturally Speaking.” Art Times. June 2007. www.arttimesjournal.com.
June Wayne, the Art of Everything", A Catalogue Raisoné, 1936-2006, Robert P. Conway, Rutgers University Press, New Brunswick, N.J. 2007
2008
Butler, Sharon A. “June Wayne Still Acting Out in Hollywood.” Two Coats of Paint. March 2, 2008. http://twocoatsofpaint.blogspot.com.
Magruder, Melanie. “The Art of the Print.” Malibu Times. March 13, 2008, B1, B14
Muchnic, Suzanne. “Her Mellow? Not a Chance.” Los Angeles Times. March 2, 2008.
Stein, Donna. “Abstract Impact.” Art & Antiques. May 2008, pp. 82-90
2010
Christa C. Mayer Thurman. "June Wayne's Narrative Tapestries: Tidal Waves, DNA, and the Cosmos." Museum Exhibition Catalogue, 2010
2011
Rourke, Mary. "June Wayne dies at 93; led revival of fine-art print making."LA Times (August 25, 2011)
Grimes, William. "June Wayne, Painter and Printmaker, Dies at 93." New York Times (August 27, 2011)
Leah Lehmbeck. "Proof: The Rise of Printmaking in Southern California." Norton Simon Museum, and Getty Publications (2011)
Wikipedia, June Wayne, 2011
2012
Betty Ann Brown. "Afternoon with June, Stories of June Wayne's Art & Life." Midmarch Arts Press, 2012, NYC
2013
Pagel, David. "Review: June Wayne: Eloquent Visionary reveals a bold mind." Los Angeles Times (June 27, 2013)
2014
Betty Ann Brown, Jay Belloli, Ruth Weisberg. "June Wayne: Painting, Prints and Tapestries." Museum Exhibition Catalogue, Pasadena Museum of California Art (2014)
2017
To the Point (the Tapestries of June Wayne), Denna Jones, Cover Magazine, London, Autumn 2017 issue
2018
Ann Isolde. " PERSONAL VOICES / CULTURAL VISIONS: Conversations in the Visual Arts Community Los Angeles 1994-1996." Southern California Womens' Caucus for Art (2018)
MB Abram, Los Angeles, Artist's Legacy. 2018